Sidney Poitier (as Mark Thackeray) wants to be an engineer, but finds jobs scarce; so, he takes a job teaching a group of unmanageable East End London secondary (high) school students. The inexperienced Mr. Poitier has no control in the classroom. With only a few weeks before graduation, he decides to teach discipline and respect. Poitier's biggest classroom problem is rebellious youth Christian Roberts (as Denham). He also has to deal with pretty blonde Judy Geeson (as Pamela), who develops a "schoolgirl crush" on her handsome black teacher.
Poitier doesn't seem to be doing much academic teaching; but, with only a few weeks to go, he makes some instinctive, wise decisions. As the students' "newest replacement", he must start with extensive classroom management. Mostly, the students like to dance and smoke cigarettes. But, through the young cast's performances, and their scripted background, you believe they are worse than they appear on film. The film is a simplistic representation.
Poitier's dignified characterization is superb. As "Mr. Thackeray", he handles societal racism with quiet reservation. Thackeray does not verbalize any racial "blame" for his 18-month failure to find an engineering job. He grins sweetly when the ladies on the bus hint about his sexual prowess. He does not respond to the cynical teacher's bait. And, he responds with non-sensual sincerity to the film's interested blondes. More than anything, Thackeray values courtesy, which is evidenced by his first "tantrum".
Thatcher is a man of polite manners, who values respect. He demands the students call him "Sir". Poitier's command for respect works not only with the students, but also with the audience. Poitier cuts through the film, and demands the same respect from the audience.
You call him SIR!
So, the "lesson" achieves the unexpected - both Thackeray and Poitier are successful with their audience. The audience responded by making Poitier a "Box Office" superstar. It was the right message, the right time, and the right man.
Director James Clavell and the Lulu-sung title song are also outstanding. Most movie award organizations favored Poitier's two successive 1967 films. But, "To Sir, with Love" did very well with the "Film Daily" critics: "To Sir, with Love" was the year's #4 Film, and #1 song. Poitier was the #3 "Best Actor" (one better than his "In the Heat of the Night" role), Christian Roberts was "Juvenile Actor" #2, and Judy Geeson won as #1 "Juvenile Actress".
********* To Sir, with Love (6/14/67) James Clavell ~ Sidney Poitier, Christian Roberts, Judy Geeson, Lulu
Poitier doesn't seem to be doing much academic teaching; but, with only a few weeks to go, he makes some instinctive, wise decisions. As the students' "newest replacement", he must start with extensive classroom management. Mostly, the students like to dance and smoke cigarettes. But, through the young cast's performances, and their scripted background, you believe they are worse than they appear on film. The film is a simplistic representation.
Poitier's dignified characterization is superb. As "Mr. Thackeray", he handles societal racism with quiet reservation. Thackeray does not verbalize any racial "blame" for his 18-month failure to find an engineering job. He grins sweetly when the ladies on the bus hint about his sexual prowess. He does not respond to the cynical teacher's bait. And, he responds with non-sensual sincerity to the film's interested blondes. More than anything, Thackeray values courtesy, which is evidenced by his first "tantrum".
Thatcher is a man of polite manners, who values respect. He demands the students call him "Sir". Poitier's command for respect works not only with the students, but also with the audience. Poitier cuts through the film, and demands the same respect from the audience.
You call him SIR!
So, the "lesson" achieves the unexpected - both Thackeray and Poitier are successful with their audience. The audience responded by making Poitier a "Box Office" superstar. It was the right message, the right time, and the right man.
Director James Clavell and the Lulu-sung title song are also outstanding. Most movie award organizations favored Poitier's two successive 1967 films. But, "To Sir, with Love" did very well with the "Film Daily" critics: "To Sir, with Love" was the year's #4 Film, and #1 song. Poitier was the #3 "Best Actor" (one better than his "In the Heat of the Night" role), Christian Roberts was "Juvenile Actor" #2, and Judy Geeson won as #1 "Juvenile Actress".
********* To Sir, with Love (6/14/67) James Clavell ~ Sidney Poitier, Christian Roberts, Judy Geeson, Lulu