Other than the fact that this was Barbara Stanwyck's second film and talkie debut, believe me there isn't any other reason to remember The Locked Door. It's a rather turgid melodrama with some stock company heroes and villains. It might very well have been a play on the Cotton Blossom, but for its urban setting.
Barbara Stanwyck showed something in this film though, she wouldn't have had the career she had if she didn't. You can definitely spot the star quality with her.
The film is based on a Broadway play by Channing Pollock that ran 187 performances during the 1919-1920 season. The subject of Prohibition was new at that time, by 1929 it was old hat. In any event it's only part of the story.
Stanwyck and Snidely Whiplash villain Rod LaRocque are on a floating gambling and drinking boat when it's raided. They both jump bail and go their separate ways, Stanwyck thanking the Deity she had no further involvement with LaRocque.
But that's not what fate has in store for her. She marries William Boyd, a widower with daughter Betty Bronson. Guess who Bronson tells dear old Dad and step mom who she's involved with.
When both Stanwyck and Boyd go to confront LaRocque, but separately, that's when the action really starts.
One thing I will say in favor of the film, the camera work reminded me a whole lot of Alfred Hitchcock's famous one set films, Rear Window and Rope, because the story takes place in the last half in LaRocque's apartment. But the hammy acting and melodramatic plot date this film terribly.
Still Barbara Stanwyck's personality certainly stands out.
Barbara Stanwyck showed something in this film though, she wouldn't have had the career she had if she didn't. You can definitely spot the star quality with her.
The film is based on a Broadway play by Channing Pollock that ran 187 performances during the 1919-1920 season. The subject of Prohibition was new at that time, by 1929 it was old hat. In any event it's only part of the story.
Stanwyck and Snidely Whiplash villain Rod LaRocque are on a floating gambling and drinking boat when it's raided. They both jump bail and go their separate ways, Stanwyck thanking the Deity she had no further involvement with LaRocque.
But that's not what fate has in store for her. She marries William Boyd, a widower with daughter Betty Bronson. Guess who Bronson tells dear old Dad and step mom who she's involved with.
When both Stanwyck and Boyd go to confront LaRocque, but separately, that's when the action really starts.
One thing I will say in favor of the film, the camera work reminded me a whole lot of Alfred Hitchcock's famous one set films, Rear Window and Rope, because the story takes place in the last half in LaRocque's apartment. But the hammy acting and melodramatic plot date this film terribly.
Still Barbara Stanwyck's personality certainly stands out.