I haven't seen many Hong Kong kung-fu classics, but watching this somewhat demented zero-to-hero pic has certainly perked my curiosity about a genre I know little about but which, on this evidence, offers delirious pleasures.
After an abstract credits sequence showing human bodies in mortal combat, the film begins with a kind of prologue in which a master practitioner of the snake style of kung-fu is beaten by a master of the monkey-style. The snake-master begs his vanquisher to kill him, but the monkey-master spares his life. Snake tells monkey that he will regret this...
Years later, a rube of a fishmonger's assistant yearns to study the drunken-style of kung-fu at a local school. After being beaten up by a couple of arrogant sons of a local feudal lord, the fishmonger begs the drunken-master to teach him, but instead is taken on as a skivvy. He clandestinely practises the moves he sees being taught, and soon proves himself more adept that the official students. He gets his revenge by beating the sons, and drags his master into the fray when their father seeks redress. The rich man hires two snake experts to teach the drunken-master a deadly lesson, and one of the snake experts is the master from the prologue.
The monkey-master is also involved, as he is now living in the same village as a hermit who befriends the hero. When the snake-assassins have killed both drunken-master and monkey-master, the novice learns to combine the monkey-style and drunken-style in a way which proves fatal to his foes.
The film is basically a string of fight sequences, linked by this flimsy story-line. In their way, the fights are equivalent to musical numbers in musicals and sex sequences in pornography - in fact, the careful choreography of the fights and the eroticism of the young male flesh in Snake in the Monkey's Shadow makes the comparison to these two genres very apt. Yet the most striking sequence doesn't involve human combat - there's a truly nail-biting fight between a tethered monkey and a hissing snake which is prolonged, vicious and chilling, not least when you think of how the animals in question must have suffered to get it on screen.
Animal cruelty, campy dialogue, paper-thin & polarised characterisation, unfunny slapstick and eye-popping set pieces strung together in a flimsy storyline - Snake in the Monkey's Shadow is classic exploitation fare. It's kinetic displays of human and animal flesh contorted into extraordinary shapes and stretched to the limits of endurance, all with kinetic fury, makes the film a text-book example of what popular cinema is all about, for better or worse.
After an abstract credits sequence showing human bodies in mortal combat, the film begins with a kind of prologue in which a master practitioner of the snake style of kung-fu is beaten by a master of the monkey-style. The snake-master begs his vanquisher to kill him, but the monkey-master spares his life. Snake tells monkey that he will regret this...
Years later, a rube of a fishmonger's assistant yearns to study the drunken-style of kung-fu at a local school. After being beaten up by a couple of arrogant sons of a local feudal lord, the fishmonger begs the drunken-master to teach him, but instead is taken on as a skivvy. He clandestinely practises the moves he sees being taught, and soon proves himself more adept that the official students. He gets his revenge by beating the sons, and drags his master into the fray when their father seeks redress. The rich man hires two snake experts to teach the drunken-master a deadly lesson, and one of the snake experts is the master from the prologue.
The monkey-master is also involved, as he is now living in the same village as a hermit who befriends the hero. When the snake-assassins have killed both drunken-master and monkey-master, the novice learns to combine the monkey-style and drunken-style in a way which proves fatal to his foes.
The film is basically a string of fight sequences, linked by this flimsy story-line. In their way, the fights are equivalent to musical numbers in musicals and sex sequences in pornography - in fact, the careful choreography of the fights and the eroticism of the young male flesh in Snake in the Monkey's Shadow makes the comparison to these two genres very apt. Yet the most striking sequence doesn't involve human combat - there's a truly nail-biting fight between a tethered monkey and a hissing snake which is prolonged, vicious and chilling, not least when you think of how the animals in question must have suffered to get it on screen.
Animal cruelty, campy dialogue, paper-thin & polarised characterisation, unfunny slapstick and eye-popping set pieces strung together in a flimsy storyline - Snake in the Monkey's Shadow is classic exploitation fare. It's kinetic displays of human and animal flesh contorted into extraordinary shapes and stretched to the limits of endurance, all with kinetic fury, makes the film a text-book example of what popular cinema is all about, for better or worse.