Review of The Sacrifice

The Sacrifice (1986)
7/10
Difficult but worth it
28 September 2008
Warning: Spoilers
Minor spoilers. This is not a film for everyone, and probably not a film for most. However, if you like art, it might be a film for you. The director, Andrei Tarkovsky, viewed film as art and his films make few, if any, concessions to commercialization and marketing. If you are looking strictly for entertainment, you may find this film to be slow, boring and depressing. However, if you are looking for art, then you should not ignore this film.

The artistic merits of the film are considerable. The theme is an individual's relationship to God, politics and mankind in general. How can a sensitive and intelligent person come to grips with these huge and sometimes overwhelming parts of life and still keep his own integrity in tact. Just attempting a subject like this is courageous and laudable, but in doing so the director walks dangerous ground. It is so broad that no film can truly encompass it, and wisely Tarkovsky doesn't try. Instead he shows one man's attempt to deal with it - flawed and inadequate as it may be. This is a clever way to approach it, because it stimulates you to start thinking of what your own approach might be.

It begins in color, with Alexander, a very self involved and disconnected man in his later years who is forced by circumstances and a very odd mailman, to confront his relationship to God, and society. This causes Alexander to go through different mental states which are filmed in black and white or muted color. As the day moves forward, Alexander eventually sifts from a passive observer of life to someone who is committed to playing a dramatic but positive and active role in the spiritual and temporal life. With this new reality, the film returns to color. The composition of the sets the framing and the editing of the film all are carefully done to support and emphasize the theme and development of the film. The film takes place on one day, Alexander's birthday (yes, this does have a double meaning).

Throughout the film death is the looming and persistent presence. Near the beginning Alexander rightly observes that fear of death will drive people to do many foolish things. We see some of these foolish things as the characters of the film become unfaithful, hysterical, and even cruel and destructive when threatened by death. Tarkovsky himself was facing death by cancer when he made this film and this was his final film. In the end, however, the film is life affirming, leaving us with a view of hope and even joy.

This is a film I respect but it is not very entertaining. I am glad I watched it, but I wasn't really ready for it when I started. If you are not ready to see a film this serious and deep, then it would be easy to dismiss it as difficult and even painful to watch. But to do so would be a reaction to that same fear of death that seems to be the root of so much evil in the world. Understanding that this is a film about serious topics that effect us all and not a casual bit of entertainment can make the difference between appreciating and valuing this film or not. But even though the film had some difficult and soul searching moments, you will enjoy the end and its message of hope. The final image of the film is a young boy bringing life to a dead tree. It is a truly beautiful image and one that think will stay with me for a long time.
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