This film was designed for children, and as a result, it is an excellent movie if used for that purpose only. Having said that, the fact that this film won any awards is beyond me.
Pro: Neil Munro is to Beethoven as Tom Hulce was to Mozart (in Amadeus) - absolutely and perfectly dead-on! If one were to meet the real Beethoven, this is likely the person they would see.
Cons: Everything else.
Children might not notice the difference, and that's fine, but from a factual point of view, take this one with more than a grain of salt. There are so many errors and artistic liberties taken by Heather Conkie (who I respect for her work done, both past and present) that this film can never be taken as anything more than pure fiction with regards to Beethoven and his life.
Examples: In the film, Beethoven says he's becoming deaf for six years. This would put his age at about mid-30's, yet the premise of the film is that he has just died. This wasn't about to happen for another 20+ years or so. Also, in the film, he is working on his 9th Symphony. Fact: it should have been his 7th, but Conkie has altered history for the sake of the children. And there's much more. So, in this respect alone, don't plan to do a master's thesis on the factual stuff in this film - it's mostly fiction.
Then there's the acting itself, which ranges from wooden to horrible to outright poor. Illya Woloshyn as the young boy Christoph is just terrible, as is Albert Schultz as Uncle Kurt. Veteran actor Paul Soles almost makes a convincing Schindler, who in actual life was a more dominant personality, and the only one who could boss Beethoven around and get away with it. Sheila McCarthy's only good scenes are where she goes toe-to-toe with Munro's Beethoven, and these are worth the price of admission alone.
So, providing this film is seen only by children up to the age of maybe 10, it's excellent. To anyone older, it's horribly misleading, slower than a glacier and historically butchered beyond the call of duty. Its only saving grace is that it's a children's film on Beethoven. And as far as I know, it's the ONLY one. Not hard to be number 1 in a group of 1.
Caution: Watch at own risk.
Pro: Neil Munro is to Beethoven as Tom Hulce was to Mozart (in Amadeus) - absolutely and perfectly dead-on! If one were to meet the real Beethoven, this is likely the person they would see.
Cons: Everything else.
Children might not notice the difference, and that's fine, but from a factual point of view, take this one with more than a grain of salt. There are so many errors and artistic liberties taken by Heather Conkie (who I respect for her work done, both past and present) that this film can never be taken as anything more than pure fiction with regards to Beethoven and his life.
Examples: In the film, Beethoven says he's becoming deaf for six years. This would put his age at about mid-30's, yet the premise of the film is that he has just died. This wasn't about to happen for another 20+ years or so. Also, in the film, he is working on his 9th Symphony. Fact: it should have been his 7th, but Conkie has altered history for the sake of the children. And there's much more. So, in this respect alone, don't plan to do a master's thesis on the factual stuff in this film - it's mostly fiction.
Then there's the acting itself, which ranges from wooden to horrible to outright poor. Illya Woloshyn as the young boy Christoph is just terrible, as is Albert Schultz as Uncle Kurt. Veteran actor Paul Soles almost makes a convincing Schindler, who in actual life was a more dominant personality, and the only one who could boss Beethoven around and get away with it. Sheila McCarthy's only good scenes are where she goes toe-to-toe with Munro's Beethoven, and these are worth the price of admission alone.
So, providing this film is seen only by children up to the age of maybe 10, it's excellent. To anyone older, it's horribly misleading, slower than a glacier and historically butchered beyond the call of duty. Its only saving grace is that it's a children's film on Beethoven. And as far as I know, it's the ONLY one. Not hard to be number 1 in a group of 1.
Caution: Watch at own risk.