The TV movie story of the street-doowop to soul-superstar Temptations from 1958 to 1995 when bass singer Melvin Franklyn died. Strict historical accuracy is not what this film is about, but what is accurate is the reconstruction of the act and the music, which is what matters in a movie. The first half is full of vignettes of the (black) music biz in Detroit in the early Motown days, which is genuinely moving in a few places; and although the second half tends towards the schmaltzy, it's good to be reminded of the seminal records that the group continued to put out after David Ruffin parted company, and of the way that members of a group that big have deeper bonds than most people, including their own families. It's told from the viewpoint of Otis Williams, who is the only Temp to survive all incarnations of the group, so he naturally he tends to get an easy ride, but it does acknowledge (in the great end sequence) that the David Ruffin lineup was the best there could be. The scene where he and Eddie Kendricks sing to the punter in the supper club is a killer. Well worth the two-and a half hours running time, which is not something you can say of many TV movies this long. Better IMHO than 'Walk the Line', which was no turkey itself. If you love Motown, don't miss it.
Review of The Temptations
