I came to the movie with relatively few expectations and I can say that I was both pleasantly surprised and, sadly, unhappily and expectedly disappointed.
The movie IMHO has both hits and misses though I'm pleased to say that in the history department there are a lot more hits than misses. The narrative stays surprisingly true to the historical events allowing for dramatic license and includes such interesting episodes as the carabao, the night raid where two Cazadores set fire to a house to distract the Filipinos and the newspaper which Cerezo reads that convinces him to surrender.
The costumes and wardrobe seem to be spot on though I'm quibbling about the first commanding officer's (Captain Enrique de Las Morenas y Fossí) uniform which seemed ill fitting, with a big arse Spanish cross that looked like double the size of ANY award I've seen, the lack of the cazador bugle horn devices to indicate the Expeditionary Rifle battalions and the stage play quality of the civilian extra's costumes. That being said, this is one play where they actually destressed the costumes to show passage of time, at least for the besieged Cazadores'. Nice touch there. Sadly, the Filipino side's uniform showed no wear and tear.
The casting was.... eh... I wish they'd cast actual Spaniards or Hispanics for the Spanish officers, Las Morenas, Zayas and Cerezo. Cerezo's fake beard was laughable as was the delivery of the Spanish lines though the Filipino lines were the usual 'pinoy movie' cadenced delivery that just makes me want to scream with agony - they haven't changed the way they speak from the sixties, I swear! - so I suppose its nice that they actually had the Spaniards at least speaking Spanish. The casting of Leo Martinez as one of the officers was inspired and Ipe, however messed up his personal life may or may not be, is still one of THE greats of Philippine cinema. Joel Torre, a period move staple is thankfully confined to the background as one of the staff officers, Teodoro Luna Novicio - I was glad that he wasn't pulling another Juan Crisostomo Ibarra here.
The leads... Echo (Jericho Rosales) is fine as the leading man though Anne Curtis... I would have cast someone more morena in the role. The romance was utterly CRINGEWORTHY and it stretches believability in places - how would a barrio lass whos dad is a leader in the local Katipunan in a small town where everyone is expected to gossip get away with being romanced by a Spanish soldier for a year without dad slitting said Cazador's throat? The dialogue was forgettable and to be expected, reminiscent of a very well done high school social studies play and the usual romantic plot points were all hit - obligatory beach scene, obligatory boat on the river scene, obligatory tasteful lovemaking scene, obligatory beefcake scene, obligatory... (you get my drift).
While I didn't care for the dialogue I was pleasantly surprised by the plotting. While the setup for the place, the unit type, and the political situation were sadly lacking - I say this for our friends from abroad, who haven't studied Philippine history - the plot itself, the narrative, and the incorporation of history into the narrative were quite well done, even better than Pearl Harbor in its utilization of history not merely as a backdrop but having history AFFECT the characters. It's on par with Titanic in that respect I think. The twist at the end, which I was kind of expecting because I'd read the history on the Spanam website, was well delivered and quite the tearjerker.
I wish there had been more setup for the place and the unit type. Baler was an inaccessible garrison, a virtual prison for Spanish troops deployed there - the only way in or out was by boat or going through thick, insurrecto held jungle. That this was NOT emphasized by the movie was a major flaw as it sets up the desperation of the situation. You never get the feeling that these guys are in a desperate backs to the wall situation because you don't realize just how ISOLATED Baler is!
The actors facial hair and emaciation is not clear - they fed their cast too well. There's one hilarious moment where this kid, the sacristan, is released from church and he's telling of the conditions inside and he's like, "We don't have anything to eat" but he's looking pretty darn WELL FED to me! He should at least have kept his shirt on instead of attemption to go beefcake.
The conditions that the Spanish soldiers had to fight in aren't really well addressed. The social conditions of Spanish soldiers is spoken of - poor soldiers who couldn't bribe a government official were sent to the colonies - but the conditions upon reaching the colonies aren't addressed. Nothing is done really to indicate that the church was stifling, the latrine stank and overflowed, the illnesses that the soldiers had to deal with (which proved more lethal than Filipino bullets) weren't well explained - its like some scenes they were fine, other scenes in between they were dying of disease, and then they were fine again.
Then there's technical aspects, the music and the camera angles. Especially in the romantic parts the non-diegetic music is too invasive, too annoying, screaming INSERT ROMANCE HERE. The camera angles, the constant tracking around and its not very well executed either, being irregularly jerky a lot of times, as well as the overused and unnecessary crane shots are irritating and generally unmotivated. It smacks of a very expensive, very well done, very well researched high school play.
That being said, it would have been a splended, A+ grade high school play if I had been the teacher.
The movie IMHO has both hits and misses though I'm pleased to say that in the history department there are a lot more hits than misses. The narrative stays surprisingly true to the historical events allowing for dramatic license and includes such interesting episodes as the carabao, the night raid where two Cazadores set fire to a house to distract the Filipinos and the newspaper which Cerezo reads that convinces him to surrender.
The costumes and wardrobe seem to be spot on though I'm quibbling about the first commanding officer's (Captain Enrique de Las Morenas y Fossí) uniform which seemed ill fitting, with a big arse Spanish cross that looked like double the size of ANY award I've seen, the lack of the cazador bugle horn devices to indicate the Expeditionary Rifle battalions and the stage play quality of the civilian extra's costumes. That being said, this is one play where they actually destressed the costumes to show passage of time, at least for the besieged Cazadores'. Nice touch there. Sadly, the Filipino side's uniform showed no wear and tear.
The casting was.... eh... I wish they'd cast actual Spaniards or Hispanics for the Spanish officers, Las Morenas, Zayas and Cerezo. Cerezo's fake beard was laughable as was the delivery of the Spanish lines though the Filipino lines were the usual 'pinoy movie' cadenced delivery that just makes me want to scream with agony - they haven't changed the way they speak from the sixties, I swear! - so I suppose its nice that they actually had the Spaniards at least speaking Spanish. The casting of Leo Martinez as one of the officers was inspired and Ipe, however messed up his personal life may or may not be, is still one of THE greats of Philippine cinema. Joel Torre, a period move staple is thankfully confined to the background as one of the staff officers, Teodoro Luna Novicio - I was glad that he wasn't pulling another Juan Crisostomo Ibarra here.
The leads... Echo (Jericho Rosales) is fine as the leading man though Anne Curtis... I would have cast someone more morena in the role. The romance was utterly CRINGEWORTHY and it stretches believability in places - how would a barrio lass whos dad is a leader in the local Katipunan in a small town where everyone is expected to gossip get away with being romanced by a Spanish soldier for a year without dad slitting said Cazador's throat? The dialogue was forgettable and to be expected, reminiscent of a very well done high school social studies play and the usual romantic plot points were all hit - obligatory beach scene, obligatory boat on the river scene, obligatory tasteful lovemaking scene, obligatory beefcake scene, obligatory... (you get my drift).
While I didn't care for the dialogue I was pleasantly surprised by the plotting. While the setup for the place, the unit type, and the political situation were sadly lacking - I say this for our friends from abroad, who haven't studied Philippine history - the plot itself, the narrative, and the incorporation of history into the narrative were quite well done, even better than Pearl Harbor in its utilization of history not merely as a backdrop but having history AFFECT the characters. It's on par with Titanic in that respect I think. The twist at the end, which I was kind of expecting because I'd read the history on the Spanam website, was well delivered and quite the tearjerker.
I wish there had been more setup for the place and the unit type. Baler was an inaccessible garrison, a virtual prison for Spanish troops deployed there - the only way in or out was by boat or going through thick, insurrecto held jungle. That this was NOT emphasized by the movie was a major flaw as it sets up the desperation of the situation. You never get the feeling that these guys are in a desperate backs to the wall situation because you don't realize just how ISOLATED Baler is!
The actors facial hair and emaciation is not clear - they fed their cast too well. There's one hilarious moment where this kid, the sacristan, is released from church and he's telling of the conditions inside and he's like, "We don't have anything to eat" but he's looking pretty darn WELL FED to me! He should at least have kept his shirt on instead of attemption to go beefcake.
The conditions that the Spanish soldiers had to fight in aren't really well addressed. The social conditions of Spanish soldiers is spoken of - poor soldiers who couldn't bribe a government official were sent to the colonies - but the conditions upon reaching the colonies aren't addressed. Nothing is done really to indicate that the church was stifling, the latrine stank and overflowed, the illnesses that the soldiers had to deal with (which proved more lethal than Filipino bullets) weren't well explained - its like some scenes they were fine, other scenes in between they were dying of disease, and then they were fine again.
Then there's technical aspects, the music and the camera angles. Especially in the romantic parts the non-diegetic music is too invasive, too annoying, screaming INSERT ROMANCE HERE. The camera angles, the constant tracking around and its not very well executed either, being irregularly jerky a lot of times, as well as the overused and unnecessary crane shots are irritating and generally unmotivated. It smacks of a very expensive, very well done, very well researched high school play.
That being said, it would have been a splended, A+ grade high school play if I had been the teacher.