There weren't too many people hotter than Tina Fey in 2008. Between the smash comedy 30 Rock, her impression of GOP vice presidential candidate Sarah Palin, and taking the lead for the first time in a movie with "Baby Mama," Fey and her iconic black-rimmed glasses have soared above and beyond Saturday Night Live. While the film "Baby Mama" might not be her most notable exploit, it's brand of subtle humor works in her favor and makes for an enjoyable film.
Fey plays Kate, a late thirties (her true age) businesswoman who has never been married and is also incapable of conceiving a child though she desperately wants one. When Kate stumbles across an agency specializing in surrogate pregnancy, she meets Angie, a high school dropout played by SNL's Amy Poehler, and the two agree that Angie will have Kate's baby. When Angie's trash boyfriend Carl (Dax Shepard) cheats on her, she moves in with Kate and the two have to reconcile their conflicting lifestyles.
Though Fey carries her own comedic presence in her reactions to the bizarre characters around her, it's Poehler's character that is meant to serve as comic relief in her mis-educated habits in life and in pregnancy. She provides a variety of physical humor and also gets some laughs at her character for her sheer ignorance, though it's pretty hit-or-miss with her. While in a lot of her work she can come off as annoying, she's a bit more mild in this film.
The rest of a cast is full of high profile actors in smaller roles and other familiar faces to boost the unproven star power of Fey and Poehler. Greg Kinnear plays Fey's love interest, who is just supposed to be a "nice guy" and nothing more and Maura Tierney of "ER" plays Fey's sister. Top that off with appearances by Steve Martin as Fey's zen/hippie boss and Sigourney Weaver as the head of the surrogate agency and there's plenty of time for "look who it is!" amazement as you watch.
"Baby Mama" doesn't throw anything unusual at us from a comedy stand point, especially being released not even a year after Judd Apatow's "Knocked Up" provided a similar concept, but it has its own subtle, very SNL-like comedic style. That might be easy to say because Fey, Poehler and creator Michael McCullers connections to the show, but like SNL sketches, "Baby Mama" relies on the talents of its actors in creating nutty characters and the way the "normal" characters perceive them. While this doesn't work all the time, it gets better toward the end and the plot keeps you interested enough to wear you certainly don't dismiss it and you may even really like it.
Fey plays Kate, a late thirties (her true age) businesswoman who has never been married and is also incapable of conceiving a child though she desperately wants one. When Kate stumbles across an agency specializing in surrogate pregnancy, she meets Angie, a high school dropout played by SNL's Amy Poehler, and the two agree that Angie will have Kate's baby. When Angie's trash boyfriend Carl (Dax Shepard) cheats on her, she moves in with Kate and the two have to reconcile their conflicting lifestyles.
Though Fey carries her own comedic presence in her reactions to the bizarre characters around her, it's Poehler's character that is meant to serve as comic relief in her mis-educated habits in life and in pregnancy. She provides a variety of physical humor and also gets some laughs at her character for her sheer ignorance, though it's pretty hit-or-miss with her. While in a lot of her work she can come off as annoying, she's a bit more mild in this film.
The rest of a cast is full of high profile actors in smaller roles and other familiar faces to boost the unproven star power of Fey and Poehler. Greg Kinnear plays Fey's love interest, who is just supposed to be a "nice guy" and nothing more and Maura Tierney of "ER" plays Fey's sister. Top that off with appearances by Steve Martin as Fey's zen/hippie boss and Sigourney Weaver as the head of the surrogate agency and there's plenty of time for "look who it is!" amazement as you watch.
"Baby Mama" doesn't throw anything unusual at us from a comedy stand point, especially being released not even a year after Judd Apatow's "Knocked Up" provided a similar concept, but it has its own subtle, very SNL-like comedic style. That might be easy to say because Fey, Poehler and creator Michael McCullers connections to the show, but like SNL sketches, "Baby Mama" relies on the talents of its actors in creating nutty characters and the way the "normal" characters perceive them. While this doesn't work all the time, it gets better toward the end and the plot keeps you interested enough to wear you certainly don't dismiss it and you may even really like it.