Summer Wishes, Winter Dreams casts Joanne Woodward as a woman going through mid-life crisis in her forties, realizing that she's settled and not selected in her choice of husband and life.
Not that husband Martin Balsam is not a good man, he's a decent enough fellow, an optometrist and back in my parents generation such a guy would have had their mothers pushing their daughters toward him. But Joanne's true love was killed in World War II and Balsam was a guy she settled for.
What brings all her anxieties to a head is the sudden death of her mother Sylvia Sidney while both women were having an afternoon of lunch and a movie. Life seemed a lot more simple back growing up on Sylvia's Connecticut farm. With a second choice husband, a daughter Dori Brenner who's not on the best of terms, a son played by Ron Richards who is gay and living in Amsterdam with another man and only seen in dream sequences, it seems like life is closing in on her. Balsam's sees what's happening to his wife and maybe this optometrist's convention in London is a great excuse for a tax deductible European trip where maybe things can be rekindled.
This film is short on plot, but long and deep on characterization with some great women's roles for actresses who've past their ingénue days. Summer Wishes, Winter Dreams got Joanne Woodward an Oscar nomination for Best Actress and for movie veteran Sylvia Sidney for Best Supporting Actress. Joanne lost to Glenda Jackson for A Touch of Class, both of those women were going for a second Oscar and Jackson lucked out.
What was a real shame was Sylvia Sidney not winning and losing to Tatum O'Neal for Paper Moon. Those supporting categories have become a really good place to honor veterans like her who have moved on to character parts. Don Ameche's award for Cocoon is a great example and I wish Sylvia had gotten this one, for her great performance here and the work of a lifetime.
Summer Wishes, Winter Dreams is a poignant film. The best scenes in it are dealing with Sidney's surviving family and how Joanne wants to hold on to the family homestead when all the rest want to sell. She can't articulate to her family why she feels she could cling to her childhood as embodied in that farm, but we the audience feels what she feels, especially those of who've had a similar experience. For me it was nothing like Woodward's in the film, but I had to face selling our family home in Brooklyn in 1997. The only survivors of my family were my brother and myself and I had my pangs as Joanne did. Three family members of mine died in that same home. What she was able to convey is the mark of a great actress.
Summer Wishes, Winter Dreams gives lie to the idea that they don't write some great parts for the female gender.
Not that husband Martin Balsam is not a good man, he's a decent enough fellow, an optometrist and back in my parents generation such a guy would have had their mothers pushing their daughters toward him. But Joanne's true love was killed in World War II and Balsam was a guy she settled for.
What brings all her anxieties to a head is the sudden death of her mother Sylvia Sidney while both women were having an afternoon of lunch and a movie. Life seemed a lot more simple back growing up on Sylvia's Connecticut farm. With a second choice husband, a daughter Dori Brenner who's not on the best of terms, a son played by Ron Richards who is gay and living in Amsterdam with another man and only seen in dream sequences, it seems like life is closing in on her. Balsam's sees what's happening to his wife and maybe this optometrist's convention in London is a great excuse for a tax deductible European trip where maybe things can be rekindled.
This film is short on plot, but long and deep on characterization with some great women's roles for actresses who've past their ingénue days. Summer Wishes, Winter Dreams got Joanne Woodward an Oscar nomination for Best Actress and for movie veteran Sylvia Sidney for Best Supporting Actress. Joanne lost to Glenda Jackson for A Touch of Class, both of those women were going for a second Oscar and Jackson lucked out.
What was a real shame was Sylvia Sidney not winning and losing to Tatum O'Neal for Paper Moon. Those supporting categories have become a really good place to honor veterans like her who have moved on to character parts. Don Ameche's award for Cocoon is a great example and I wish Sylvia had gotten this one, for her great performance here and the work of a lifetime.
Summer Wishes, Winter Dreams is a poignant film. The best scenes in it are dealing with Sidney's surviving family and how Joanne wants to hold on to the family homestead when all the rest want to sell. She can't articulate to her family why she feels she could cling to her childhood as embodied in that farm, but we the audience feels what she feels, especially those of who've had a similar experience. For me it was nothing like Woodward's in the film, but I had to face selling our family home in Brooklyn in 1997. The only survivors of my family were my brother and myself and I had my pangs as Joanne did. Three family members of mine died in that same home. What she was able to convey is the mark of a great actress.
Summer Wishes, Winter Dreams gives lie to the idea that they don't write some great parts for the female gender.