For anyone unfamiliar with Urban Gothic, it was a half-hour British horror series that was originally shown in the UK on Channel Five. The first series of thirteen episodes was screened in 2000, while the second series consisted of nine episodes and was broadcast in 2001 (the combined total of 22 episodes - the length of a standard American season - would indicate that the producers hoped to sell the show overseas). Intended for post-watershed viewing, it contained a frequent amount of blood and gore, plus a fair smattering of sex and nudity.
At first glance, Urban Gothic was an anthology series of self-contained stories, the only link between the various episodes being that they were all set in modern-day London (the show's very first episode 'Dead Meat' will be of particular interest to Hex fans - not only does it feature Jemima Rooper, but the plot centres on a ritual to raise the dead, written by John Dee).
However, the last episode of the first series revealed that all the stories took place in the same shared continuity, and in the second series an ongoing storyline gradually emerged, involving a covert branch of British Intelligence called C-TEC which investigates unusual events; a centuries-old secret society known as The Institute; and 'The Heart' - an ancient and powerful supernatural entity that serves as the lifeforce of the city of London, and feeds on the pain, fear and misery of the inhabitants. Several characters - some of which had debuted in the first series - also began to make recurring appearances, including Jude Redfield, a failed journalist who had been chosen by The Heart to become The Storyteller - the chronicler of the city's secret history; Josef Severin, the leader of the Institute; inexperienced C-TEC agent Sean Bendix; Jude's snide zombie sidekick Milton; lesbian police detective Rachel Winter; teenage border-line sociopath Kali Cunningham; autistic savant Loki Brown, who had memorised the scientific formula of Creation; and Jude's missing girlfriend Cora - transformed into the conduit for The Heart.
Urban Gothic was made on a low budget and shot on video, and on occasion the ideas and themes contained in the scripts are beyond the reach of the show's meagre finances to be visualized successfully. Also, once you take away the commercials each episode is just over twenty minutes in length, and many of the stories feel rushed as a result, with several clearly needing a longer running time to do themselves justice.
Like most anthology series, Urban Gothic is hit and miss, with some episodes working better than others. But it scores a complete or partial bullseye more often than not. Sadly, the ongoing storyline involving The Heart ends with an unresolved cliffhanger in the final episode, but the entire series is still worth watching.
At first glance, Urban Gothic was an anthology series of self-contained stories, the only link between the various episodes being that they were all set in modern-day London (the show's very first episode 'Dead Meat' will be of particular interest to Hex fans - not only does it feature Jemima Rooper, but the plot centres on a ritual to raise the dead, written by John Dee).
However, the last episode of the first series revealed that all the stories took place in the same shared continuity, and in the second series an ongoing storyline gradually emerged, involving a covert branch of British Intelligence called C-TEC which investigates unusual events; a centuries-old secret society known as The Institute; and 'The Heart' - an ancient and powerful supernatural entity that serves as the lifeforce of the city of London, and feeds on the pain, fear and misery of the inhabitants. Several characters - some of which had debuted in the first series - also began to make recurring appearances, including Jude Redfield, a failed journalist who had been chosen by The Heart to become The Storyteller - the chronicler of the city's secret history; Josef Severin, the leader of the Institute; inexperienced C-TEC agent Sean Bendix; Jude's snide zombie sidekick Milton; lesbian police detective Rachel Winter; teenage border-line sociopath Kali Cunningham; autistic savant Loki Brown, who had memorised the scientific formula of Creation; and Jude's missing girlfriend Cora - transformed into the conduit for The Heart.
Urban Gothic was made on a low budget and shot on video, and on occasion the ideas and themes contained in the scripts are beyond the reach of the show's meagre finances to be visualized successfully. Also, once you take away the commercials each episode is just over twenty minutes in length, and many of the stories feel rushed as a result, with several clearly needing a longer running time to do themselves justice.
Like most anthology series, Urban Gothic is hit and miss, with some episodes working better than others. But it scores a complete or partial bullseye more often than not. Sadly, the ongoing storyline involving The Heart ends with an unresolved cliffhanger in the final episode, but the entire series is still worth watching.