8/10
Does It Celebrate The 60's or Condemn The 60's?
12 March 2009
Warning: Spoilers
I admit that I was a bit puzzled by the perspective of this movie. All the way through, it seemed to be building to the logical conclusion that the four main characters were going to end up swinging together, culminating in Alice's expected suggestion to the other three that they have an orgy. All the way through it seemed to be a celebration of the sexually free-wheeling 60's, with Bob and Carol essentially enjoying an open marriage - not only having affairs but telling each other about them and sometimes even meeting each other's lovers - and basically trying to convince Ted and Alice to join them in this lifestyle of freedom. Then, in the end, it didn't happen. That didn't upset me - I was pleased by the ending of the movie, but still surprised. The lasting message that I got from the movie was that, ultimately, sex without love is an empty thing, but love without sex is a wonderful thing. Thus, the concluding scenes of the four deciding that their friendship made it impossible to begin a sexual relationship and the eye contact they make with strangers while on their way to the Tony Bennett concert, while all the way the closing song ("What The World Needs Now Is Love") plays in the background. I loved the ending and thought it perfectly appropriate. I also loved the beginning of the movie with the encounter session which was absolutely hilarious.

Robert Culp & Natalie Wood & Elliott Gould & Diane Cannon as the respective title characters were fantastic all the way through, and their performances made an interesting story even better. The only thing I never really figured out was the decision to open the movie with the "Hallelujah Chorus"? What was the relevance? I wasn't sure. Small point, though, in an overall great movie.
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