Review of Ink

Ink (I) (2009)
10/10
Humanistic, existential, social comment in a cinematographic gem
24 April 2009
This is billed as a sci-fi flick about the struggle of good and evil. Don't believe it. It is not, it so much more. Who are you? who were you? Where did the two diverge? Can the thread ever be rejoined? This is a psychological, existential, social commentary, that is a cinematographic masterpiece.

Internal struggles, external struggles, is there redemption to be had, how much does one pay for a mistake, how do you come to terms with actions that cause guilt and shame.... Is that chain of events we call life reversible, or inertial and determined until the end? How so?

The political slam on capitalism and the analogy of drug addiction to that of power and greed are clearly contrast to true values of family and self worth. They are viewed through an old but effectively employed psychoanalytic lens. But hey are shown not told and you are the witness. This movie could serve as a model for treatment well beyond Freud's limited treatment modalities.

Existential issues of life, purpose, death and a hereafter, the quicksand of limbo land, they are all intricately woven in a drama of distorted time imagery, fresh vibrant music, and photography that is gripping, innovative, and alive while allegorical and metaphoric. The acting is superb, the cinematography is as good as anything West of Thomas Imbach and the music is so fresh and coherent that it is often the thread that holds seemingly disparate pieces uncomfortably in place until they are resolved. This is a brilliant film in all regards. See it. It is billed as sci-fi but is as human and humanistic as anything you will see.
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