Andrew Robinson's "April Showers" is like Oliver Stone's "World Trade Center." We relive a day that stunned the world. We look for triumph over tragedy at the most intimate level.
It is an intense film. The MPAA found its content disturbing. I disagree. What they meant was that it unlocks the deepest feelings of innocence lost.
The softest targets, we all are. Protectors unprotected. The hero inside ignored. The survivor looking over the dead. The dead looking over those still standing.
The history of the world in fewer days than God took to create it.
And who is left to create charity, hope, and faith?
The answer comes from a director with a sure hand, in real life a young playwright at Columbine High School 10 years ago whose next leading lady was to be a student named Rachel Joy Scott.
It is an intense film. The MPAA found its content disturbing. I disagree. What they meant was that it unlocks the deepest feelings of innocence lost.
The softest targets, we all are. Protectors unprotected. The hero inside ignored. The survivor looking over the dead. The dead looking over those still standing.
The history of the world in fewer days than God took to create it.
And who is left to create charity, hope, and faith?
The answer comes from a director with a sure hand, in real life a young playwright at Columbine High School 10 years ago whose next leading lady was to be a student named Rachel Joy Scott.