Review of Armaan

Armaan (2003)
8/10
An artistically brilliant but outdated film elevated by Preity Zinta's crazy and unforgettable Sonia Kapoor
6 July 2009
Honey Irani made a fantastic directorial debut. Armaan is brilliant in every aspect, despite being fairly outdated. Everything, from the dialogue to the proceedings to the characters seems to be taken straight from the 1960s (I mean it as a compliment). I seriously think Irani should have officially set the period of time as such, because it would have made much more sense. I genuinely liked the film. I thought it was special, realistic and artistic in its subtlety and restraint. The concept of life in a hospital is quite interesting though it certainly might not work for the wide audience and some might find it slow. In my view, it doesn't take anything from Honey Irani's honest attempt which is never less than worthy; it's just a film that does not appeal to everyone, but aren't all films anyway.

The film, however, has a pleasant surprise which comes as a saviour after an hour or so in the form of Preity Zinta, whose bubbly, spoilt, wicked, narcissistic and altogether mentally unstable Sonia Kapoor is both interesting, hateful, funny and memorable. Kudos to Zinta for such a spectacularly played negative role. She is natural and convincing, and she manages to make her evil character unique and almost, if not completely, likable. This is thanks to her animated line delivery and her lively, partly vicious and partly vivacious attitude. I can understand why Irani wrote the character with Preity Zinta in mind. She does not really act in accordance with the film's mood, yet she seems tailor-made for her role, and her commanding screen presence more than carries the film.

I think the rest of the cast are very good, especially Anil Kapoor, who is restrained and greatly impressive as the level-headed, intelligent and well-mannered Dr. Akash. This highly sincere performance is in my view amongst his most accomplished works. Gracy Singh is graceful and compelling as the reserved Neha. Bachchan is good as always, but he appears only in flashbacks in the second half, so there isn't enough of his role. Aamir Bashir is absolutely outstanding as Dr. Sanjay, despite a small role. This truly is an underrated actor. Randhir Kapoor plays Sonia's father and for some reason he made me laugh every time he appeared on-screen. He is unintentionally funny (I was particularly floored in that scene in which he said he was gonna sue Akash for insulting his daughter).

Armaan is almost a classic. There is something in its subtle narrative style that makes it very engaging. It has a much stronger second half though. With the entrance of the character of Sonia Kapoor, the story takes shape and the film flows more effectively. The film becomes much more interesting, entertaining and enjoyable, although it generally still remains loyal to its realism and keeps following a rather slow pace. One must also note the background score, which is simply exceptional. Shankar-Ehsaan-Loy's soundtrack is quiet and pleasant. My favourite song is Zinta's seductive number "Mera Dil Ka Tumse", which is extremely energetic and fun. To all those who appreciate quality films, Armaan is a must-watch.
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