It's truly a shame that a charming little romantic-comedy such as "Shades of Ray" does not get a distribution deal, but rubbish rom-coms - "Made of Honor" (2008), "What Happens in Vegas" (2008), "My Best Friend's Girl" (2008) and "My Life In Ruins" (2009) - do.
Writer-director Jaffar Mahmood is playing well within the conventions of the genre. But what makes his film work is that he doesn't rely on stock characters. Even when he has a stock character or two - such as the protagonist's controlling father, Javaid Rehman (Brian George), or the wacky roommate, Sal Garfinkle (Fran Kranz) - Mahmood tweaks their personalities just enough that they seem fresher than they otherwise might be.
I realize there are no Renée Zellwegers, Ashton Kutchers or Cameron Diazes in this film to make it sell to a wider audience. But the lack of such actors is what makes this film all the more appealing.
Films about southeast Asian families and the vagaries of growing up in one are terribly rare and Mahmood should be commended for taking a whack at the subject matter.
Despite tackling issues such as parental control, tradition, familial obligations and love, Mahmood makes his film work because his characters seem new and rather unconventional, even though many of them are just that.
The film is helped immensely by terrific performances all around. I have not seen the TV series, "Chuck," so I was unfamiliar with Zachary Levi as an actor. He makes Ray Rehman an entirely believable person, even managing to bring a sense pathos to a rather funny audition scene.
Kathy Baker and George are terrific as Ray's parents. Baker, especially, gives her role such substance that she takes a minor bit and makes it much more than that. And, finally, it's wonderful to see the lovely Sarah Shahi given a role with some meat and bones on it. I have seen two other films recently in which she was never used to her full potential - "AmericanEast" (2007), in which she has a superfluous role, and "Crossing Over" (2009), in which she was purely window-dressing. In "Shades of Ray," Shahi gets a juicy role that allows her to be alluring, lovable and provocative. She has a sensational scene in a bar where she turns into a playful vixen that is thoroughly enticing.
One character who feels short-changed is Noel Wilson (Bonnie Somerville). In fairness to Mahmood, he resists the temptation to turn her into a bad person, though, given the trappings of the genre, in one scene, he gives her dialogue that seems completely out of character.
"Shades of Ray" does not turn the romantic-comedy genre on its head or anything of that ilk. It's a pleasant diversion and explores a side of American society rarely seen in Hollywood movies. It's most definitely a far cry better and more enjoyable than the romantic comedies Hollywood studios chuck out by the dozen.
Writer-director Jaffar Mahmood is playing well within the conventions of the genre. But what makes his film work is that he doesn't rely on stock characters. Even when he has a stock character or two - such as the protagonist's controlling father, Javaid Rehman (Brian George), or the wacky roommate, Sal Garfinkle (Fran Kranz) - Mahmood tweaks their personalities just enough that they seem fresher than they otherwise might be.
I realize there are no Renée Zellwegers, Ashton Kutchers or Cameron Diazes in this film to make it sell to a wider audience. But the lack of such actors is what makes this film all the more appealing.
Films about southeast Asian families and the vagaries of growing up in one are terribly rare and Mahmood should be commended for taking a whack at the subject matter.
Despite tackling issues such as parental control, tradition, familial obligations and love, Mahmood makes his film work because his characters seem new and rather unconventional, even though many of them are just that.
The film is helped immensely by terrific performances all around. I have not seen the TV series, "Chuck," so I was unfamiliar with Zachary Levi as an actor. He makes Ray Rehman an entirely believable person, even managing to bring a sense pathos to a rather funny audition scene.
Kathy Baker and George are terrific as Ray's parents. Baker, especially, gives her role such substance that she takes a minor bit and makes it much more than that. And, finally, it's wonderful to see the lovely Sarah Shahi given a role with some meat and bones on it. I have seen two other films recently in which she was never used to her full potential - "AmericanEast" (2007), in which she has a superfluous role, and "Crossing Over" (2009), in which she was purely window-dressing. In "Shades of Ray," Shahi gets a juicy role that allows her to be alluring, lovable and provocative. She has a sensational scene in a bar where she turns into a playful vixen that is thoroughly enticing.
One character who feels short-changed is Noel Wilson (Bonnie Somerville). In fairness to Mahmood, he resists the temptation to turn her into a bad person, though, given the trappings of the genre, in one scene, he gives her dialogue that seems completely out of character.
"Shades of Ray" does not turn the romantic-comedy genre on its head or anything of that ilk. It's a pleasant diversion and explores a side of American society rarely seen in Hollywood movies. It's most definitely a far cry better and more enjoyable than the romantic comedies Hollywood studios chuck out by the dozen.