Hibernatus (1969)
Average screwy bourgeois routine
14 July 2009
Warning: Spoilers
HIBERNATUS belongs to a series of popular comedies centered round Funès' crazy persona, and is one of the two or three Funès comedies I have seen in a movie theater. Funès' career has been very diverse and, of course, uneven. Some of Funès best known comedies are filmed plays—like HIBERNATUS, quite conventional and mildly amusing comedies, whose asset is not the inventiveness or originality of the script but the charm of the performers and Funès' wicked humor, his routine. Why pretend? These comedies are not Chaplin, Keaton, Fatty, Lloyd, Marx, Lemmon, Tati, Étaix, they're not marvelously funny or inspiring; they're not even Laurel and Hardy. They may serve to illustrate the comedy's descent into meaninglessness or at least vulgarity. If taken for what they are, these unpretentious bourgeois comedies offer some fun and are amusing. (An IMDb writer talks about 'present day French Cinema which seems incapable of making good comedy films such as it made in the sixties and seventies'—so others see differently the movie comedy's evolution ….) Take HIBERNATUS—it has a nice look of sex comedy—Funès' lust reinforced by the imposed abstinence, la _soubrette, etc..

HIBERNATUS begins like a '60s updating of an old Sci—Fi idea—finding a person iced at the North Pole. The hibernated man is identified—and he's the grandfather of Funès' wife—though much younger, biologically, than she. The script has the tact to inspire this grandfather with filial love for his older granddaughter. Funès plays an wealthy irascible respectable bourgeois.

Claude Gensac plays the bitchy Edmée, and she has been Funès partner in screen in many movies and more than any other actress—ten movies (of which three Gendarmes). The piquant Mrs. Claude Gensac and Funès have met in '52—in life, on stage and on screen.
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