As for a Chevy Chase vehicle (and I remember this being my first encounter of his work in films and still a favourite), it's not much of one, but I still don't get the negativity towards this extravagantly wacky period comedy enterprise. I love Chevy Chase (and most of his films), but here he goes about things in kind of a laid back manner with everything else soon rising head over heels with its madcap humor and zany visuals. Truly there's so much going on (plenty of episodic sub-plots for the fodder), making it very unforeseeable with the style of 'Under the Rainbow' being very old-fashioned, but amusingly daring and erratically insane in its lack of respect for correctness. It looks cheap (but from my understanding it wasn't), but has a grand feel to it.
The story sets up the events of 1938, when a major studio with plans to make a fantasy film called 'Wizard Of Oz', assembles 150 midgets to play munchkins and book them into the Culver Hotel only to find that there reservations were lost and leaves their talent coordinator Annie Clark (a completely delightful Carrie Fisher) with a headache. Also at the hotel is an American secret Agent Bruce Thorpe (smoothly played by Chase) looking after two international guests the Duke (a terrific Joseph Maher) and Duchess (a perfectly airy Eve Arden) with an assassin (A fidgety Robert Donner) close behind. No it's over yet, because a very miniature German spy (who gets mistaken as one of the cast members) arrives at the hotel looking for a Japanese spy to hand over some very important documents, but his luck the hotel is filled with Japanese tourists. Now watch how everything raucously mingles together. Nothing is safe from the onslaught.
There's something that's engaging about this gimmicky idea, which it caps it off rather nicely when it comes to the closing. Quite a clever touch. The cartoon-like screenplay is potent and elastic, although feels a little on the rushed side. Some of the gags do get tiredly reused, but its concentration on the eccentrically bumbling details of accidents, mischief and distractions getting out of hands and then coming together amongst a party atmosphere holds some charm. Everything falls into place for some it might be like watching a car smash but I liked this recklessly spontaneous fiasco.
Steve Rash's busy handling is direction-less, but cheerfully staged with moments of a gliding camera working the action considerably well. The score is a bellow of dramatic sounds. The cast really do give it their all and I enjoyed watching them. Chevy Chase and Carrie Fisher made for a likable pairing. A flighty Cork Hubbert is fine. Bill Barty is quite fun as the dwarf German spy and Mako as the icy Japanese spy. Adam Arkin as the fill-in hotel manager is rather fitting too. Also appearing were Richard Stahl, Phil Fondacaro and Debbie Lee Carrington.
The story sets up the events of 1938, when a major studio with plans to make a fantasy film called 'Wizard Of Oz', assembles 150 midgets to play munchkins and book them into the Culver Hotel only to find that there reservations were lost and leaves their talent coordinator Annie Clark (a completely delightful Carrie Fisher) with a headache. Also at the hotel is an American secret Agent Bruce Thorpe (smoothly played by Chase) looking after two international guests the Duke (a terrific Joseph Maher) and Duchess (a perfectly airy Eve Arden) with an assassin (A fidgety Robert Donner) close behind. No it's over yet, because a very miniature German spy (who gets mistaken as one of the cast members) arrives at the hotel looking for a Japanese spy to hand over some very important documents, but his luck the hotel is filled with Japanese tourists. Now watch how everything raucously mingles together. Nothing is safe from the onslaught.
There's something that's engaging about this gimmicky idea, which it caps it off rather nicely when it comes to the closing. Quite a clever touch. The cartoon-like screenplay is potent and elastic, although feels a little on the rushed side. Some of the gags do get tiredly reused, but its concentration on the eccentrically bumbling details of accidents, mischief and distractions getting out of hands and then coming together amongst a party atmosphere holds some charm. Everything falls into place for some it might be like watching a car smash but I liked this recklessly spontaneous fiasco.
Steve Rash's busy handling is direction-less, but cheerfully staged with moments of a gliding camera working the action considerably well. The score is a bellow of dramatic sounds. The cast really do give it their all and I enjoyed watching them. Chevy Chase and Carrie Fisher made for a likable pairing. A flighty Cork Hubbert is fine. Bill Barty is quite fun as the dwarf German spy and Mako as the icy Japanese spy. Adam Arkin as the fill-in hotel manager is rather fitting too. Also appearing were Richard Stahl, Phil Fondacaro and Debbie Lee Carrington.