The Color of Magic (2008– )
10/10
"You see what you see, I see what I see", and I guess I see "what's really there, see?"
8 August 2009
Warning: Spoilers
Until having seen "the Colour of Magic" a couple of days ago, it seemed impossible to me that the essence of a work of literature could successfully be transported into the plot-based medium of the film: this production, however, managed impressively to concentrate on the discworld novels' linguistics. The whole film is a glorious firework of puns, absurd dialogues, hilarious speeches and twisted theories, full of witty allusions to our real world's historical, philosophical, cultural, social, political, economic etc. realities, just like in the novels. The narrator's introductions sparkle playful rhetoric; the scene changes abound in funny little parallelisms; the plot follows with complete logic the discworld's crazy intrinsic reality; all characters are represented with convincing comedy, far from being ridiculed – a superb achievement especially among those "of the elderly persuasion"; thankfully, the audience is spared the usual trivial matters and unconvincing special effects; the most brilliant performance, of course, is Sir David Jason's magnificent characterisation of Rincewind in his countless dangerous confrontations from neck-romance to informal death, whose accomplishments mere words cannot describe adequately. Failing to understand the adverse criticism, I assume that many expected more loyalty towards the novels' details and maybe have not properly paid attention to the film as a whole: From hub to rim, all the important things have been preserved, the pathetic coward Rincewind, yet the only mentally sane person on the whole Disc; the ancient barbarian Cohen who has heroically survived his own legend; the frighteningly ambitious and maddening orderly wizard Trymon; the ingenuous tourist Twoflower, an expert in starting annoying discussions at precisely the wrong moments; his loyal luggage with its "homicidal attitude towards anyone who threatens its master"; and all the other peculiar personalities, officious magic devices, spells with speech impediments and curious disc dwellers carried through space on the majestic Great A'tuin... there is no reason to dwell on petty little details, when the adaptation has turned out to be the Best Film Ever. Hopefully, we will face another "near-Rincewind-experience" soon: it won't be long until he comes running past again, will it?
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