6/10
Respectful to a fault, with a concentration on emperors and poets
7 October 2009
Warning: Spoilers
This PBS-produced documentary, which surveys Rome in the First Century, runs 219 minutes in four parts. It is so calm, so respectful, so stately and so dull that it made me wonder if they really were talking about Rome.

The tales of the emperors, of course, range from greatness to pederasty, from the building of an intercontinental transportation system to wretched excess, from mutual murder to becoming gods. Rome also is the story of great poets, writers, historians, and builders. The documentary spends a lot of time reminding us of this with quotes read by actors with generically well-bred voices.

Even more important and interesting is why the Romans were able to create such an empire. What was the force behind a crummy little village on the Tiber winding up owning everything from England to Egypt? And who was responsible for the most impressive set of officer's uniforms until the Nazis?

Rome is the story not just of emperors and poets, but also of engineers and soldiers, of a great civil service and a slave economy, of an empire-wide free-trade zone and a universal set of laws. Rome might nail you to a cross, but in general if you didn't say bad things about the emperor-god you could believe in any other gods that took your fancy. Said Edward Gibbon, "The various modes of worship, which prevailed in the Roman World, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. And thus toleration produced not only mutual indulgence, but even religious concord."

Little of this practical cynicism and do-the-job-right energy comes through in this documentary.

I have a great admiration for Sigourney Weaver as an actress, but her narration is simply too emotionless and too earnest. Does she have any more interest in first century Rome than most of us do? Probably not. She was hired to read the author's narration and she does with placid professionalism. The actors selected to voice the words of Ovid, Tacitus and the rest of the dead Romans bring even less moxie to the enterprise. Their voices are smooth, professional and uninteresting.

This documentary is well intentioned, probably more so than is good for it. If you must watch it for the facts, I'd advise that first you watch I, Claudius for the energy.
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