At this point in his career, Stephen King had the miraculous, almost Hitchcockian ability to allow a story to proceed from the most believable of circumstances, trickle like water delicately over tiny steps which, taken alone, did not seem too out of the ordinary, and then coalesce magnificently into masterpieces that defy categorization – not horror, not science fiction, but truly something magical, if unnameable. Dead Zone is such a masterpiece.
Owing in no small part to the subtle yet compelling performance of Christopher Walken, who in the same year would star in one of my most beloved films of the genre, Brainstorm, Dead Zone may well be one of King's best. Almost certainly based to some extent on real-life psychic Peter Hurkos, Dead Zone shows the master, King, taking an already well known premise to a new and thrilling conclusion.
The theme developed here is a common one for King. An innocent victim, through no fault of his own, is thrown into a paranormal world that will lead to an ultimate test. The idea is classic literary tragedy at its best, and is represented with equal aplomb in King's contemporaneous work such as Firestarter and Christine.
Director David Cronenberg, smoking hot at the time with masterpieces of his own – Scanners and Videodrome, delivers a film that resonates perfectly with King's book, with pacing and tone that capture what was best about King in this period. King himself was experiencing his golden age, with Cujo, Firestarter, Carrie and The Shining rounding out his catalog within a few years. In other words, this is the best of the best for some people who gave us some pretty good stuff.
The supporting cast is brilliant. Martin Sheen, Tom Skerritt, Anthony Zerbe, and the lovely Brooke Adams are all exceptional. Screenwriter Jeffrey Boam, who also penned such classics as Lost Boys, Lethal Weapon 2 and 3, and the Witches of Eastwick, crafted a brilliant treatment that works absolutely perfectly from start to finish. Michael Kamen's brilliant score is but one jewel in the crown of his many achievements, and was said to be so disturbing that overhearing him practicing it gave his neighbors nightmares.
I suppose I could try to think of more ways to say it, but there is no need. It can be summed up once and for all in a single sentence. Dead Zone is perfection.
Owing in no small part to the subtle yet compelling performance of Christopher Walken, who in the same year would star in one of my most beloved films of the genre, Brainstorm, Dead Zone may well be one of King's best. Almost certainly based to some extent on real-life psychic Peter Hurkos, Dead Zone shows the master, King, taking an already well known premise to a new and thrilling conclusion.
The theme developed here is a common one for King. An innocent victim, through no fault of his own, is thrown into a paranormal world that will lead to an ultimate test. The idea is classic literary tragedy at its best, and is represented with equal aplomb in King's contemporaneous work such as Firestarter and Christine.
Director David Cronenberg, smoking hot at the time with masterpieces of his own – Scanners and Videodrome, delivers a film that resonates perfectly with King's book, with pacing and tone that capture what was best about King in this period. King himself was experiencing his golden age, with Cujo, Firestarter, Carrie and The Shining rounding out his catalog within a few years. In other words, this is the best of the best for some people who gave us some pretty good stuff.
The supporting cast is brilliant. Martin Sheen, Tom Skerritt, Anthony Zerbe, and the lovely Brooke Adams are all exceptional. Screenwriter Jeffrey Boam, who also penned such classics as Lost Boys, Lethal Weapon 2 and 3, and the Witches of Eastwick, crafted a brilliant treatment that works absolutely perfectly from start to finish. Michael Kamen's brilliant score is but one jewel in the crown of his many achievements, and was said to be so disturbing that overhearing him practicing it gave his neighbors nightmares.
I suppose I could try to think of more ways to say it, but there is no need. It can be summed up once and for all in a single sentence. Dead Zone is perfection.