None of the shenanigans in MR. DODD TAKES THE AIR ring true due to a weak script of Hollywood clichés prevalent in many of the '30s films, and the fact that KENNY BAKER, while possessing a fine tenor voice, has very little charisma for a man who has to carry most of the film. True, he's likable enough, but his acting leaves a lot to be desired. He would be featured in a few more films in the '30s and '40s, but never had a breakthrough role.
JANE WYMAN, who gets fifth billing when she has a major part in the story, is pert and vivacious as the secretary who takes an immediate interest in Baker and wants to help his career. GERTRUDE MICHAELS is "the other woman," a conniving socialite who wants to steal a device Baker has invented for improving radio's sound quality.
ALICE BRADY has an inconsequential role late in the film, as an egotistical opera singer and seems out of place in an overplayed role.
It's a minor item, an entirely forgettable film that is only worthwhile for hearing Baker sing a few songs in his own crooner style.
JANE WYMAN, who gets fifth billing when she has a major part in the story, is pert and vivacious as the secretary who takes an immediate interest in Baker and wants to help his career. GERTRUDE MICHAELS is "the other woman," a conniving socialite who wants to steal a device Baker has invented for improving radio's sound quality.
ALICE BRADY has an inconsequential role late in the film, as an egotistical opera singer and seems out of place in an overplayed role.
It's a minor item, an entirely forgettable film that is only worthwhile for hearing Baker sing a few songs in his own crooner style.