This trick film, "Going to Bed Under Difficulties", from cinema magician pioneer Georges Méliès is especially intricate. Numerous substitution-splices were required to achieve the continual appearance of more clothing on the weary traveller (of course, played by the director), as he futilely tries to undress. To make matters worse, his bed floats away. The effect remains impressive today, as well as amusing, thanks to Méliès's comedic ingenuity behind and in front of the camera.
"Going to Bed Under Difficulties" is an early and one of the better entries in the subgenre of a weary traveller suffering tricks at an inn, a formula from which Méliès made many films. The success of this particular trick film is demonstrated by the fact that other early filmmakers stole the idea and made their own imitations of it. Walter Booth and R.W. Paul's version, "Undressing Extraordinary" (1901) and Gaumont's Alice Guy's "How Monsieur Takes His Bath" (Comment Monsieur prend son bain) (1903) have also both been available in DVD compilations. A glance at other titles from the era suggests that other early producers did likewise. Moreover, remakes and dupes of many of Méliès's films can be found in the history of early cinema—further evidence that he was the most innovative filmmaker at the turn of the 20th century.
"Going to Bed Under Difficulties" is an early and one of the better entries in the subgenre of a weary traveller suffering tricks at an inn, a formula from which Méliès made many films. The success of this particular trick film is demonstrated by the fact that other early filmmakers stole the idea and made their own imitations of it. Walter Booth and R.W. Paul's version, "Undressing Extraordinary" (1901) and Gaumont's Alice Guy's "How Monsieur Takes His Bath" (Comment Monsieur prend son bain) (1903) have also both been available in DVD compilations. A glance at other titles from the era suggests that other early producers did likewise. Moreover, remakes and dupes of many of Méliès's films can be found in the history of early cinema—further evidence that he was the most innovative filmmaker at the turn of the 20th century.