Terribly Happy is a terribly good Danish Oscar submission, remade by the original director, Henrik Ruben Genz, honoring the noir tradition with an off-center hero cop, a small town full of figurative dirt easily hidden by its voracious bog, a blonde femme fatale in the Hitchcock tradition, and a low-key cinematography that captures the desolate, anarchic lowland of South Jute.
Jakob Cedergren, in a Guy Pearce Memento turn as a cop reassigned from Copenhagen to Australia, immediately gets caught in the web of lawlessness of a small town that could substitute for any remote stop on an American cinematic Western stage route.
As in Orson Welles' Touch of Evil, no good is bound to come of it for citizen or criminal; you can feel the evil in every frame of this thriller whose only flaw is the illogic of its outcomes.
Jakob Cedergren, in a Guy Pearce Memento turn as a cop reassigned from Copenhagen to Australia, immediately gets caught in the web of lawlessness of a small town that could substitute for any remote stop on an American cinematic Western stage route.
As in Orson Welles' Touch of Evil, no good is bound to come of it for citizen or criminal; you can feel the evil in every frame of this thriller whose only flaw is the illogic of its outcomes.