The opening credit indicates that this is a Robert Stigwood production. So from then on, you have been warned. What is a guy known for The Bee Gees and the Grease movies doing getting involved in a slasher film? Well, it isn't all bad. The casting is very good on all fronts. Lauren Bacall stars as an aging actress trying her hand at Broadway late in her career. Michael Biehn, an upcoming talent who would make his mark mostly in James Cameron action movies, plays Douglas Breen who is an odd young man stalking her. James Garner offers fine support as Bacall's supportive ex husband. Maureen Stapleton is on hand as the put-upon secretary who first tries to warn her boss about this weirdo sending her letters. She is the first victim as Biehn begins to lash out violently after his advances are ignored. Several others also face his wrath before the finale.
The fine cast, good cinematography, and Pino Donaggio score do a decent job of window dressing this routine plot. They are just enough to make this watchable. The script cannot support the premise as the plot moves along, however. First of all, once the secretary is brutally slashed in a subway attack, Biehn stops using his last name and address on the letters he writes Bacall. And conveniently all his others with that in formation have been thrown out. Sure. There is a particularly brutal attack on Bacall's young new boyfriend in a YMCA swimming pool where he is basically gutted by Biehn in plain sight of several witnesses. No way he would have gotten out of there without being caught. No way. Several other scenes ring false as Biehn clearly stands out in the crowd while stalking Bacall. And just how exactly did he get into her secured building to kill the maid and trash the place??? Never explained. They didn't even try.
But still, it keeps you watching. The performances are better than the material deserves. Bacall plays her character honestly, and you can see the talent she still has in many phases. She was aging here, but gracefully and honestly. It didn't look like she'd had much surgery back then, and Botox may have not even been invented. If nothing else is on, you will probably find yourself watching this all the way through. 6 of 10 stars.
The Hound.
The fine cast, good cinematography, and Pino Donaggio score do a decent job of window dressing this routine plot. They are just enough to make this watchable. The script cannot support the premise as the plot moves along, however. First of all, once the secretary is brutally slashed in a subway attack, Biehn stops using his last name and address on the letters he writes Bacall. And conveniently all his others with that in formation have been thrown out. Sure. There is a particularly brutal attack on Bacall's young new boyfriend in a YMCA swimming pool where he is basically gutted by Biehn in plain sight of several witnesses. No way he would have gotten out of there without being caught. No way. Several other scenes ring false as Biehn clearly stands out in the crowd while stalking Bacall. And just how exactly did he get into her secured building to kill the maid and trash the place??? Never explained. They didn't even try.
But still, it keeps you watching. The performances are better than the material deserves. Bacall plays her character honestly, and you can see the talent she still has in many phases. She was aging here, but gracefully and honestly. It didn't look like she'd had much surgery back then, and Botox may have not even been invented. If nothing else is on, you will probably find yourself watching this all the way through. 6 of 10 stars.
The Hound.