Director was in attendance for this one, interesting guy, stopped making films in the 70s but recently started again, and will release "Zohra: A Moroccan Fairy Tale" this year, having been convinced that there are now acceptable distribution routes for his work so that he can make enough money from it. Shh don't mention the m word Barney! Another pretty much unknown British director has his work resurrected by the Edinburgh film festival, most famous for his movie Bronco Bullfrog (1969) a film about skinheads.
It fits into the post-the-Wave theme of the festival well, although initially it seems quite otherwise. A young writer, Peter, who is very cool and dismissive of dad and all that word represents, sum total of the stodgy prudish corporate world of the post-war generation. He lays a dopey but pretty publisher's assistant and they have a great time together, he's like firecrackers, but not scary, defo weaving the right magic for her. Artist status and a clown, and pretty, yeah he's been dealt a royal flush in the romance stakes. Anyway the two of them think they are Belmondo and Karina, and above everything, and head off to the Scottish highlands. He soon discovers though that life requires some discipline, even the life of an artist, and the radical invention that they've come up with, their silly lackadaisical Bohemian life starts to become a credit card that they can't finance.
The initial hate figure of Mr Halpern (Ann's father) gradually comes to be seen as someone who has everyone's best interests as heart. The film develops well and is very very natural. In the end it's about friendship and how having real friends is the most important possession you can have, how they get you through the hard times.
The acting is very good and Platts-Mills seems to have encouraged everyone just to act themselves. It all comes off superbly, he shoots without artifice, yet cleanly and efficiently, and with some kind of a spartan beauty, very natural.
Highly intelligent and realistic fare, seems totally shocking that this has fallen by the wayside. Platts-Mills films are available via his personal website.
It fits into the post-the-Wave theme of the festival well, although initially it seems quite otherwise. A young writer, Peter, who is very cool and dismissive of dad and all that word represents, sum total of the stodgy prudish corporate world of the post-war generation. He lays a dopey but pretty publisher's assistant and they have a great time together, he's like firecrackers, but not scary, defo weaving the right magic for her. Artist status and a clown, and pretty, yeah he's been dealt a royal flush in the romance stakes. Anyway the two of them think they are Belmondo and Karina, and above everything, and head off to the Scottish highlands. He soon discovers though that life requires some discipline, even the life of an artist, and the radical invention that they've come up with, their silly lackadaisical Bohemian life starts to become a credit card that they can't finance.
The initial hate figure of Mr Halpern (Ann's father) gradually comes to be seen as someone who has everyone's best interests as heart. The film develops well and is very very natural. In the end it's about friendship and how having real friends is the most important possession you can have, how they get you through the hard times.
The acting is very good and Platts-Mills seems to have encouraged everyone just to act themselves. It all comes off superbly, he shoots without artifice, yet cleanly and efficiently, and with some kind of a spartan beauty, very natural.
Highly intelligent and realistic fare, seems totally shocking that this has fallen by the wayside. Platts-Mills films are available via his personal website.