Los viajes del viento (2009), shown in the U.S. as The Wind Journeys, was written and directed by Ciro Guerra.
This movie was fascinating to me because it opened up windows to a culture and a music with which I'm not familiar. The setting is rural northeastern Colombia, and the music is vallenato, in which the primary instrument is the accordion.
Los viajes is basically a road movie. The story is that a young man follows an older vallenato master as he wanders through rural Colombia, attempting to return an accordion which has mystical properties.
The plot consists of the people they meet, and the experiences they encounter on the journey.
Being unfamiliar with the region and its music, I can't comment on how accurately these are portrayed. The relationship between the man and the boy certainly doesn't conform to the feel-good connection that would surely develop in a U.S. film. Also, the entire movie is more like fantasy than realistic fiction or documentary. However, I admit that people from the region could say, "Actually, that's the way it is."
This is an unusual and fascinating movie, and definitely worth seeing. It will work better on a large screen than a small one, but it will be worth seeking out in either format. (We saw it at the Rochester 360-365 film festival which, despite its ridiculous name, is an excellent event.)
This movie was fascinating to me because it opened up windows to a culture and a music with which I'm not familiar. The setting is rural northeastern Colombia, and the music is vallenato, in which the primary instrument is the accordion.
Los viajes is basically a road movie. The story is that a young man follows an older vallenato master as he wanders through rural Colombia, attempting to return an accordion which has mystical properties.
The plot consists of the people they meet, and the experiences they encounter on the journey.
Being unfamiliar with the region and its music, I can't comment on how accurately these are portrayed. The relationship between the man and the boy certainly doesn't conform to the feel-good connection that would surely develop in a U.S. film. Also, the entire movie is more like fantasy than realistic fiction or documentary. However, I admit that people from the region could say, "Actually, that's the way it is."
This is an unusual and fascinating movie, and definitely worth seeing. It will work better on a large screen than a small one, but it will be worth seeking out in either format. (We saw it at the Rochester 360-365 film festival which, despite its ridiculous name, is an excellent event.)