I viewed this 1940's movie on TCM last evening and was impressed by the quality of the film-making and the leading character's integrity and social conscience. These qualities led the youthful councillor, played by John Mills, to defend the woman he would fall in love with, Martha Scott, little knowing the consequences he would face in later life.
John Mills always seemed so gifted at portraying classy British gentlemen and this is certainly the case in this role. Martha Scott was less convincing as his wife, whose later character was at odds with her former self. Her son Charles, by a second marriage, was much too old for the part and looked more like a brother than a son.
The movie shows how two people come into conflict over personal values and family crises. The film-making is superb and the opening shots drew me into the story because each was a perfect black/white photograph. The quality of the movie made me think it was re-mastered and did not show the faded, sepia-tone look that some reviews were critical of. The rain was so real it gave me a chill just looking at the screen as the young couple went running through the cobblestone streets and took refuge under a bridge.
Though somewhat flawed, this movie is a worthy addition to the library of British black/white cinema from the mid-20th century. Thank goodness for TCM bringing them back to the screen.
John Mills always seemed so gifted at portraying classy British gentlemen and this is certainly the case in this role. Martha Scott was less convincing as his wife, whose later character was at odds with her former self. Her son Charles, by a second marriage, was much too old for the part and looked more like a brother than a son.
The movie shows how two people come into conflict over personal values and family crises. The film-making is superb and the opening shots drew me into the story because each was a perfect black/white photograph. The quality of the movie made me think it was re-mastered and did not show the faded, sepia-tone look that some reviews were critical of. The rain was so real it gave me a chill just looking at the screen as the young couple went running through the cobblestone streets and took refuge under a bridge.
Though somewhat flawed, this movie is a worthy addition to the library of British black/white cinema from the mid-20th century. Thank goodness for TCM bringing them back to the screen.