"Eat Pray Love" is about a depressed woman, whose romantic pratfalls lead her to venture off across the Atlantic, hoping to rediscover herself. She leaves her life in New York, and of course, discovers new relationships in Italy, India, and Bali. As the story progresses, the central character, Liz, played by Julia Roberts, finds balance in her life. However, there's one big problem; there's no balance in the film, especially the narrative.
Once she leaves her past relationships, she should leave it for good! However, the writers are aware that this is a studio film, and like many studio films, images of her past have to find their way into the last quarter of the film. Why is it that writers feel the need to tie everything together into a nice little bow, even when the protagonist's journey doesn't call for it? Answer: A Hollywood studio romance, that's why.
"Eat Pray Love" is an expensive travelogue with a glossy Hollywood makeover. Star-power cannot rise above this thinly-layered material. There were many problems with this film. First off, the opening and closing narrative voice-over is the only link to tying the cliché messages the film has to offer. Like many studio romances, it underestimates its audience. The images and character actions should speak for themselves. Show us, don't tell us.
During the course of Liz's existential journey, I wanted to enjoy the culture of each and every location and backdrop. However, the filmmakers wish to rush the atmosphere and focus on the star-power. Supporting characters come and go into Liz's life, and by the very end, everything sloppily ties together, or so the writers think it does. Audiences must love Julia Roberts. I mean, how can you not? Her uniquely structured face, long, slender body, deep-rooted eyes, and that movie star smile radiate the big screen. I think it's safe to say that the camera is in love with Julia Roberts, but on that same token, the camera forgets to fall in love with the atmosphere. In the scene where she's eating her exquisite cuisine in an Italian café it looks as though she's acting for a commercial on spaghetti. The food, luscious surroundings, and ancient ruins need to be just as critical of a character as Liz.
Another problem I had with the film was the superfluous camera-work. In the scene where Liz munches on her Italian delicacy the camera cuts to a high overhead shot. Why exactly does a camera have to be 10ft up in the air to see Julia Roberts dive into her spaghetti? There are other moments where the director insists on using a crane shot when the action doesn't call for it. Perhaps most audiences will not observe these tiny details, but for a film critic who's just as passionate about the technical aspects of filmmaking as the basic narrative, I found these details incredibly obtrusive and detrimental to the entirety of the film.
The performances, mostly by Academy Award winning or nominated actors, are first rate. However, this is a prime example as to how great performances can only work unless they are matched by a great script. "Eat Pray Love" is what I call a package film; you've got the stars, the bestselling book, a few weeping moments, and the two lovers riding off into the sunset. If you're look for a thoughtful, romantic film, I'd skip it, but if the package is good enough, then be my guest.
Once she leaves her past relationships, she should leave it for good! However, the writers are aware that this is a studio film, and like many studio films, images of her past have to find their way into the last quarter of the film. Why is it that writers feel the need to tie everything together into a nice little bow, even when the protagonist's journey doesn't call for it? Answer: A Hollywood studio romance, that's why.
"Eat Pray Love" is an expensive travelogue with a glossy Hollywood makeover. Star-power cannot rise above this thinly-layered material. There were many problems with this film. First off, the opening and closing narrative voice-over is the only link to tying the cliché messages the film has to offer. Like many studio romances, it underestimates its audience. The images and character actions should speak for themselves. Show us, don't tell us.
During the course of Liz's existential journey, I wanted to enjoy the culture of each and every location and backdrop. However, the filmmakers wish to rush the atmosphere and focus on the star-power. Supporting characters come and go into Liz's life, and by the very end, everything sloppily ties together, or so the writers think it does. Audiences must love Julia Roberts. I mean, how can you not? Her uniquely structured face, long, slender body, deep-rooted eyes, and that movie star smile radiate the big screen. I think it's safe to say that the camera is in love with Julia Roberts, but on that same token, the camera forgets to fall in love with the atmosphere. In the scene where she's eating her exquisite cuisine in an Italian café it looks as though she's acting for a commercial on spaghetti. The food, luscious surroundings, and ancient ruins need to be just as critical of a character as Liz.
Another problem I had with the film was the superfluous camera-work. In the scene where Liz munches on her Italian delicacy the camera cuts to a high overhead shot. Why exactly does a camera have to be 10ft up in the air to see Julia Roberts dive into her spaghetti? There are other moments where the director insists on using a crane shot when the action doesn't call for it. Perhaps most audiences will not observe these tiny details, but for a film critic who's just as passionate about the technical aspects of filmmaking as the basic narrative, I found these details incredibly obtrusive and detrimental to the entirety of the film.
The performances, mostly by Academy Award winning or nominated actors, are first rate. However, this is a prime example as to how great performances can only work unless they are matched by a great script. "Eat Pray Love" is what I call a package film; you've got the stars, the bestselling book, a few weeping moments, and the two lovers riding off into the sunset. If you're look for a thoughtful, romantic film, I'd skip it, but if the package is good enough, then be my guest.