Priyadarshan finally decided to make a movie based on serious issues after a series of comedy stuff. The last I remember was Virasat and before it Gardish. Now both of them were well made movies but not to forget that they were remake of South Indian movies.
This would be the first time he comes with a serious and original script. The movie is based on the recent hyped honour killings in India. An honour killing is a killing of young ones who despite of belonging to different castes, fall in love with each other. Not that honour killing weren't happening earlier but Priyadarshan took the right opportunity to make a movie on this subject due to lots of media news on it.
The movie is a work of fiction with the background being disappearance of three young boys in a remote village named Jhanjhar. Enter our two CBI officers Sidhant (Akshaye) and Pratap (Ajay) who are given the task by the central government to find the whereabouts of the three missing ones. What starts from here is the mystery behind their disappearance, the corrupt acts of the local policemen (Paresh Rawal as the SP), the violent acts of one Shool Sena, the silence of villagers despite of multiple atrocities, the frustration of the two protagonists on being within the law despite of the fact that everyone else around is lawless and despite of all their efforts the criminals set free by the court. All this leads to anguish(Aakrosh) in both of them.
What Priyadarshan misses is demarcation in making this movie serious or entertaining. Recently we had one serious movie on the pitiful state of farmers who cannot payback the loan they owe (Peepli Live). On the other hand there was a recent entertaining stuff on the background of a village with a Robinhood type cop (Dabangg). Aakrosh goes one way or the other in its whole run. There are authentic talks and brainy investigation by the two officers but then there are also unnecessary song sequences, romantic moments and unbelievable stunts.
As a package though, the movie is not bad. Viewers will be glued to their seats due to the thrill and tensed theme of the movie. At times the direction of the movie picks up but loses momentum later on. This goes on till end. The script is good if not brilliant and at the end you have a satisfied feel. Performance wise, the cop duo chemistry between Ajay and Akshaye is excellent and the biggest turn on of the movie. Ajay takes most of the canvas and in his ruthless and gutsy role, performs very well. Akshaye also plays superbly his role as the tactful and strategist cop. Paresh Rawal is good but his character development as a comical and villainous SP of the village is improper given the fact that earlier he has played this kind of role very well(e.g. Milan, Mohra). The actresses are just shown as depleted woman of the society but they play their part as what supposed to be.
Not in terms of a serious view but to watch an decent action flick this movie can be seen.
This would be the first time he comes with a serious and original script. The movie is based on the recent hyped honour killings in India. An honour killing is a killing of young ones who despite of belonging to different castes, fall in love with each other. Not that honour killing weren't happening earlier but Priyadarshan took the right opportunity to make a movie on this subject due to lots of media news on it.
The movie is a work of fiction with the background being disappearance of three young boys in a remote village named Jhanjhar. Enter our two CBI officers Sidhant (Akshaye) and Pratap (Ajay) who are given the task by the central government to find the whereabouts of the three missing ones. What starts from here is the mystery behind their disappearance, the corrupt acts of the local policemen (Paresh Rawal as the SP), the violent acts of one Shool Sena, the silence of villagers despite of multiple atrocities, the frustration of the two protagonists on being within the law despite of the fact that everyone else around is lawless and despite of all their efforts the criminals set free by the court. All this leads to anguish(Aakrosh) in both of them.
What Priyadarshan misses is demarcation in making this movie serious or entertaining. Recently we had one serious movie on the pitiful state of farmers who cannot payback the loan they owe (Peepli Live). On the other hand there was a recent entertaining stuff on the background of a village with a Robinhood type cop (Dabangg). Aakrosh goes one way or the other in its whole run. There are authentic talks and brainy investigation by the two officers but then there are also unnecessary song sequences, romantic moments and unbelievable stunts.
As a package though, the movie is not bad. Viewers will be glued to their seats due to the thrill and tensed theme of the movie. At times the direction of the movie picks up but loses momentum later on. This goes on till end. The script is good if not brilliant and at the end you have a satisfied feel. Performance wise, the cop duo chemistry between Ajay and Akshaye is excellent and the biggest turn on of the movie. Ajay takes most of the canvas and in his ruthless and gutsy role, performs very well. Akshaye also plays superbly his role as the tactful and strategist cop. Paresh Rawal is good but his character development as a comical and villainous SP of the village is improper given the fact that earlier he has played this kind of role very well(e.g. Milan, Mohra). The actresses are just shown as depleted woman of the society but they play their part as what supposed to be.
Not in terms of a serious view but to watch an decent action flick this movie can be seen.