When the Mollison family move to town, the neighbors don't come over to say "hello", they don't send their kids over to play, and they don't miss a chance to stare in annoyance. The Mollison's are mostly normal except for one major difference, they care for a severely disabled, autistic and ADD son, Charlie. But his mother sometimes refers to him as her little "Cheeky Monkey". He introduces himself to the neighbors by sitting in the yard banging large, wooden spoons or sticks repeatedly. Everyone stares at the unusual, new family, and little kids ride up to ask the other son, Thomas, about Charlie's condition.
"The Black Balloon" is a quirky and enjoyable film for the realistic way it approaches a family's struggle to cope with bringing up an autistic child. They could easily be any typical family. If they were normal, they would be in the upper level of ideal families: two parents, two children, and another one on the way. You can easily imagine the issues they encounter since they seem to react the way any normal family would react to fairly outrageous situations.
The director, Elissa Down, has personal experience with two autistic brothers and was able to model Charlie after one of them. This makes for some oddball behavior that a writer probably wouldn't stumble upon by chance. If you don't keep a constant watch on Charlie, he's liable to run out the door in nothing but his colorful undies and invade a neighbor's house to use their bathroom. Locks sometimes help. But if you lock him in his room without keeping an eye on him, he might just entertain himself by splattering the carpet with poo and joyfully playing with it.
So you can see his brother Thomas (Rhys Wakefield) has issues to overcome. Much of the film is about Thomas and his difficulty dealing with an atypical childhood. He's new at school and quickly happens to meet one of the cutest girls there, Jackie Masters (Gemma Ward, a successful model at the time she did the role). Many of his first encounters with Jackie are with Charlie at his side chewing on tampons or running down a hall naked. The film holds nothing back and fearlessly portrays the real world odd behaviors that consume an autistic family.
One possible advantage is that Thomas matures to real world situations early in his life, which he's hesitant to accept. Thomas has a mix of awkward moments at the school pool (he's not very good at swimming and the gym teacher makes him wear ridiculous yellow swim shorts). He frequently smiles at the odd things going on around him (perhaps a few too many stationary smile scenes). He juggles his desire for Jackie with his hope at having a normal brother one day. Gemma Ward not only has amazing good looks but she also performs Jackie effortlessly, holding back her unexpected capacity for acceptance and understanding until just the right moments.
Toni Collette plays the mother, Maggie, with tenacity and playfulness. She's a natural in a chaotic family. Maggie tries to manage her pregnancy and run a household to the point of putting herself in the hospital. She accepts Charlie's limitations and knows he will probably need lifelong care. In one of her best scenes, she cleans up Charlie's feces while she tries to convince Thomas to accept his brother as he is and appreciate that he will have opportunities that Charlie never will.
Besides the family struggles, the film has a vivid sense of detail and a wonderful script. It's the sort of intelligent script that makes you want to test out its ideas. This one works: as Jackie and Thomas come out of a lake to get out of the rain and head for cover under a bridge (it's the romance scene of the movie, of course, but first it has a nice little analogy), Jackie tells Thomas to close his eyes and observe what he sees. At first he sees pure blackness, then spots of dancing color, and then finally specks of white dots ingrained in blackness like static on a TV. It never goes away. (Try it sometime; it's true.) The point for the story, however, is that Charlie may have a similar condition in which some features of his experience may never change. Thomas doesn't fully compute the message as he's more interested in other things.
The location is in Australia with school uniforms, dorky bike helmets, and 80s-90s clothing (the time period of the story is the early 90s; Super Nintendo being the main game system). The Australian native, Elissa Down, had a part in writing the story as well as directing. Her previous experience was working on short films. She treats the subject with respect, but she also adds a lot of quirky details that make the story enjoyable. Luke Ford plays a convincing version of an autistic child as Charlie. It's not a unique story. It follows in the tradition of "Rain Man" and "What's Eating Gilbert Grape?" But it has enough unique wit and pervasive reality to make it well worth watching. It isn't as funny as something like "Little Miss Sunshine", but it's on the same wavelength.
"The Black Balloon" is a quirky and enjoyable film for the realistic way it approaches a family's struggle to cope with bringing up an autistic child. They could easily be any typical family. If they were normal, they would be in the upper level of ideal families: two parents, two children, and another one on the way. You can easily imagine the issues they encounter since they seem to react the way any normal family would react to fairly outrageous situations.
The director, Elissa Down, has personal experience with two autistic brothers and was able to model Charlie after one of them. This makes for some oddball behavior that a writer probably wouldn't stumble upon by chance. If you don't keep a constant watch on Charlie, he's liable to run out the door in nothing but his colorful undies and invade a neighbor's house to use their bathroom. Locks sometimes help. But if you lock him in his room without keeping an eye on him, he might just entertain himself by splattering the carpet with poo and joyfully playing with it.
So you can see his brother Thomas (Rhys Wakefield) has issues to overcome. Much of the film is about Thomas and his difficulty dealing with an atypical childhood. He's new at school and quickly happens to meet one of the cutest girls there, Jackie Masters (Gemma Ward, a successful model at the time she did the role). Many of his first encounters with Jackie are with Charlie at his side chewing on tampons or running down a hall naked. The film holds nothing back and fearlessly portrays the real world odd behaviors that consume an autistic family.
One possible advantage is that Thomas matures to real world situations early in his life, which he's hesitant to accept. Thomas has a mix of awkward moments at the school pool (he's not very good at swimming and the gym teacher makes him wear ridiculous yellow swim shorts). He frequently smiles at the odd things going on around him (perhaps a few too many stationary smile scenes). He juggles his desire for Jackie with his hope at having a normal brother one day. Gemma Ward not only has amazing good looks but she also performs Jackie effortlessly, holding back her unexpected capacity for acceptance and understanding until just the right moments.
Toni Collette plays the mother, Maggie, with tenacity and playfulness. She's a natural in a chaotic family. Maggie tries to manage her pregnancy and run a household to the point of putting herself in the hospital. She accepts Charlie's limitations and knows he will probably need lifelong care. In one of her best scenes, she cleans up Charlie's feces while she tries to convince Thomas to accept his brother as he is and appreciate that he will have opportunities that Charlie never will.
Besides the family struggles, the film has a vivid sense of detail and a wonderful script. It's the sort of intelligent script that makes you want to test out its ideas. This one works: as Jackie and Thomas come out of a lake to get out of the rain and head for cover under a bridge (it's the romance scene of the movie, of course, but first it has a nice little analogy), Jackie tells Thomas to close his eyes and observe what he sees. At first he sees pure blackness, then spots of dancing color, and then finally specks of white dots ingrained in blackness like static on a TV. It never goes away. (Try it sometime; it's true.) The point for the story, however, is that Charlie may have a similar condition in which some features of his experience may never change. Thomas doesn't fully compute the message as he's more interested in other things.
The location is in Australia with school uniforms, dorky bike helmets, and 80s-90s clothing (the time period of the story is the early 90s; Super Nintendo being the main game system). The Australian native, Elissa Down, had a part in writing the story as well as directing. Her previous experience was working on short films. She treats the subject with respect, but she also adds a lot of quirky details that make the story enjoyable. Luke Ford plays a convincing version of an autistic child as Charlie. It's not a unique story. It follows in the tradition of "Rain Man" and "What's Eating Gilbert Grape?" But it has enough unique wit and pervasive reality to make it well worth watching. It isn't as funny as something like "Little Miss Sunshine", but it's on the same wavelength.