No More Orchids (1932)
*** (out of 4)
Interesting, if a tad bit strange, drama about a rich brat (Carole Lombard) who falls in love with an average guy (Lyle Talbot) but her greedy grandfather (C. Aubrey Smith) forces her to marry a rich Prince so that her father will be saved from his debt. NO MORE ORCHIDS isn't a very well known film and even fans of Lombard seems to have never seen it. That's a shame because it turned out to be a pretty good gem even if the final ten-minutes are extremely bizarre and in the end they really don't work. The film benefits from a very strong screenplay as well as some strong performances. The actual story of this thing is the type of melodrama that had been going on throughout the silent era and would continue throughout the 30s as we have the bad girl falling for a good guy only to be forced into the arms of someone else. What makes it seem so fresh and original here is that the screenplay is smart enough to actually make for some nice dialogue scenes where everything plays out in a believable fashion. This includes several scenes of Lombard having to really think through her decision and this makes for some very good drama. The screenplay is smart enough to make her character more than just a single note and the viewer certainly benefits from this. Lombard does a very good job as she was perfectly capable of playing the brat side of this woman but we also believe her when the character slowly starts to change due to her feelings for Talbot. As for Talbot, he too turns in another winning performance as does Walter Connolly as the father and Louise Closser Hale nearly steals the film as the fast-talking grandma. Smith turns in his typical fine performance as well. Fans of pre-code will be happy to see some rather risky dialogue about Lombard not being a virgin and we even get a sequence where she takes her rob off and is standing around in her bra and panties. Not too shocking in today's age but this was 1932 after all. The film takes a rather obvious twist towards the end and I think what the father does, which I won't ruin, doesn't work at all. The screenplay tries to milk this sequence for everything it's worth but I felt it fell flat on its face and didn't pack the punch it was going for. Even so, NO MORE ORCHIDS is still a fine little film that deserves to be seen by more.
*** (out of 4)
Interesting, if a tad bit strange, drama about a rich brat (Carole Lombard) who falls in love with an average guy (Lyle Talbot) but her greedy grandfather (C. Aubrey Smith) forces her to marry a rich Prince so that her father will be saved from his debt. NO MORE ORCHIDS isn't a very well known film and even fans of Lombard seems to have never seen it. That's a shame because it turned out to be a pretty good gem even if the final ten-minutes are extremely bizarre and in the end they really don't work. The film benefits from a very strong screenplay as well as some strong performances. The actual story of this thing is the type of melodrama that had been going on throughout the silent era and would continue throughout the 30s as we have the bad girl falling for a good guy only to be forced into the arms of someone else. What makes it seem so fresh and original here is that the screenplay is smart enough to actually make for some nice dialogue scenes where everything plays out in a believable fashion. This includes several scenes of Lombard having to really think through her decision and this makes for some very good drama. The screenplay is smart enough to make her character more than just a single note and the viewer certainly benefits from this. Lombard does a very good job as she was perfectly capable of playing the brat side of this woman but we also believe her when the character slowly starts to change due to her feelings for Talbot. As for Talbot, he too turns in another winning performance as does Walter Connolly as the father and Louise Closser Hale nearly steals the film as the fast-talking grandma. Smith turns in his typical fine performance as well. Fans of pre-code will be happy to see some rather risky dialogue about Lombard not being a virgin and we even get a sequence where she takes her rob off and is standing around in her bra and panties. Not too shocking in today's age but this was 1932 after all. The film takes a rather obvious twist towards the end and I think what the father does, which I won't ruin, doesn't work at all. The screenplay tries to milk this sequence for everything it's worth but I felt it fell flat on its face and didn't pack the punch it was going for. Even so, NO MORE ORCHIDS is still a fine little film that deserves to be seen by more.