I caught the Polar Bear sequence of this movie while flipping through channels when it ran recently on Sundance and was intrigued enough to catch the entire film on a repeat screening the next day.
From the opening sequence, I hunkered down for what was going to be a wild ride. I loved how this movie develops, not knowing where it's going with Eleonore randomly (yet expertly) picking off her victims. Each score opens up a new story. It's how life is in NYC, a random encounter on the street can completely change your life. You may find love, you may find heartache, you may find the most disgusting horror or the most sublime bliss. It was a perfect, slice-of-life movie about Manhattan. Others in this section have complained about Eleonore being unsympathetic or the lack of explanation for her motivation. She's not meant to be likable or admirable. If you've ever been the victim of robbery or theft (There is a circle in hell for whoever who stole my wallet from my car almost 30 years ago) there is nothing that will compel you to like her.
Yet -- You are intrigued by her, even when she's being annoying (table tennis anyone?). To know what motivates the thievery would be to reduce it to a Lifetime movie. To observe her in action is to witness her process --how is she going to pull each score off? The "why" does not matter. I can understand why the filmmakers did not give the audience clues in the Q&A. Just sit back and enjoy the ride.
I was very impressed with many aspects of the movie. Casting and performances were spot on, every character made you curious for more details and more info. There is a movie waiting to be made for every person in this film. Those two cops! Hilarious. The doorman, the father and the daughter! Loved them. The man with the kid at the playground! More! The couple throwing around money at the bar! MORE! The man telling everyone "You're beautiful/handsome!" Yes, more please! With each score, the details of the booty became intriguing in backstory. I would love to know the connection between the book about Sarkozy and the woman in the bar. Where did her money come from? Why does the dad have four kittens in a puppy in the same bag?
The use of locations in Manhattan felt very real, without being the touristy version that you get in most movies about NYC. This is the everyday Manhattan that feels lived-in and loved in. The glossy fake universe of SATC and other big-budget movies is absent (although I would love to live in Carrie/Big's apartment in SATC1).
My only critique is in the ending. While I'm glad that Eleonore is eventually caught, the sequence in Virgin Megastore threw me off 1) Because that store is out of business (yes, I know the movie was shot in 2007/8) and 2) as someone else pointed out, she steals a DVD to place in the CD player. Perhaps that was a comment about how disorienting being busted was to Eleonore. But for me, it just felt like a "meh." The Polar Bear sequence at the zoo opened up an intriguing possibility about her reality (or lack of) that could have taken the film further.
I am thrilled to learn that this movie is on DVD and will get it to experience the commentary track and short film extras. This film has made me very curious about the work of Joshua Safdie and the Red Bucket Brigade. I will seek out more of their work.
From the opening sequence, I hunkered down for what was going to be a wild ride. I loved how this movie develops, not knowing where it's going with Eleonore randomly (yet expertly) picking off her victims. Each score opens up a new story. It's how life is in NYC, a random encounter on the street can completely change your life. You may find love, you may find heartache, you may find the most disgusting horror or the most sublime bliss. It was a perfect, slice-of-life movie about Manhattan. Others in this section have complained about Eleonore being unsympathetic or the lack of explanation for her motivation. She's not meant to be likable or admirable. If you've ever been the victim of robbery or theft (There is a circle in hell for whoever who stole my wallet from my car almost 30 years ago) there is nothing that will compel you to like her.
Yet -- You are intrigued by her, even when she's being annoying (table tennis anyone?). To know what motivates the thievery would be to reduce it to a Lifetime movie. To observe her in action is to witness her process --how is she going to pull each score off? The "why" does not matter. I can understand why the filmmakers did not give the audience clues in the Q&A. Just sit back and enjoy the ride.
I was very impressed with many aspects of the movie. Casting and performances were spot on, every character made you curious for more details and more info. There is a movie waiting to be made for every person in this film. Those two cops! Hilarious. The doorman, the father and the daughter! Loved them. The man with the kid at the playground! More! The couple throwing around money at the bar! MORE! The man telling everyone "You're beautiful/handsome!" Yes, more please! With each score, the details of the booty became intriguing in backstory. I would love to know the connection between the book about Sarkozy and the woman in the bar. Where did her money come from? Why does the dad have four kittens in a puppy in the same bag?
The use of locations in Manhattan felt very real, without being the touristy version that you get in most movies about NYC. This is the everyday Manhattan that feels lived-in and loved in. The glossy fake universe of SATC and other big-budget movies is absent (although I would love to live in Carrie/Big's apartment in SATC1).
My only critique is in the ending. While I'm glad that Eleonore is eventually caught, the sequence in Virgin Megastore threw me off 1) Because that store is out of business (yes, I know the movie was shot in 2007/8) and 2) as someone else pointed out, she steals a DVD to place in the CD player. Perhaps that was a comment about how disorienting being busted was to Eleonore. But for me, it just felt like a "meh." The Polar Bear sequence at the zoo opened up an intriguing possibility about her reality (or lack of) that could have taken the film further.
I am thrilled to learn that this movie is on DVD and will get it to experience the commentary track and short film extras. This film has made me very curious about the work of Joshua Safdie and the Red Bucket Brigade. I will seek out more of their work.