The movie's number one sex symbol carried a lot of films to box office success on the strength of her looks and personality. But Rita Hayworth was definitely asked to tote a lot in Tonight And Every Night, a film set during the air attacks on London about a theater that never missed a performance. There was actually such a theater as the Windmill.
A whole lot of extravagant musical numbers photographed in gorgeous technicolor are held together by a plot involving Rita being the object of a campaign by Eagle Squadron RAF member Lee Bowman. Though she's warned by fellow performer and best friend Janet Blair that Bowman's a wolf in Eagle Squadron uniform, Rita plunges headlong into things. She's also got dancer Marc Platt interested in her as well.
For a British set film, this cast sure had an awful lot of Americans. This film would have been so much better done across the pond with someone like Jessie Matthews or Anna Neagle starring. The numbers are nice enough though, the musical score by Jule Styne and Sammy Cahn contained one song, Anywhere which got an Oscar nomination. A much better song of their's that Frank Sinatra sung in Anchors Aweigh, I Fall In Love Too Easily, was also nominated that year, but Rodgers and Hammerstein got the statue that year for It Might As Well Be Spring. Tonight And Every Night also got an Oscar nomination for Best Musical Scoring.
The musical numbers are great, but the plot is pretty thin.
A whole lot of extravagant musical numbers photographed in gorgeous technicolor are held together by a plot involving Rita being the object of a campaign by Eagle Squadron RAF member Lee Bowman. Though she's warned by fellow performer and best friend Janet Blair that Bowman's a wolf in Eagle Squadron uniform, Rita plunges headlong into things. She's also got dancer Marc Platt interested in her as well.
For a British set film, this cast sure had an awful lot of Americans. This film would have been so much better done across the pond with someone like Jessie Matthews or Anna Neagle starring. The numbers are nice enough though, the musical score by Jule Styne and Sammy Cahn contained one song, Anywhere which got an Oscar nomination. A much better song of their's that Frank Sinatra sung in Anchors Aweigh, I Fall In Love Too Easily, was also nominated that year, but Rodgers and Hammerstein got the statue that year for It Might As Well Be Spring. Tonight And Every Night also got an Oscar nomination for Best Musical Scoring.
The musical numbers are great, but the plot is pretty thin.