Sach unknowingly dog-sits a diamond studded poodle for a gang of smugglers during a trans-Atlantic voyage.
It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.
I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.
It's amazing the series lasted as long as it did, surviving well into the TV era with material now common to the little black box. Hall really deserves more credit than he's gotten for his raw comic abilities, on display here in highly energetic form since he knows he has to carry the film. Sure, his style was childish and over the top, but compare that style with Jerry Lewis's nitwit kid from the same era. Yet, Lewis is celebrated in many quarters as some kind of genius, while Hall is largely forgotten. Still, I don't see that much difference in absurd styles, except Lewis was backed by big studio Paramount, while the Bowery Boys depended on poverty row outfits like Allied Artists.
I agree with others-- the series was never the same without Leo Gorcey, a fine comedic talent in his own right and sturdy counterpoint to Hall's goofy shenanigans. As a result, Hall was left to carry on as best he could with budgets not much bigger than a take-out at MacDonalds, which is very much the case here, where everything occurs indoors, even the voyage. Worse, the action appears limited to the same room and hallway that merely get rearranged from one set-up to the next. No wonder it's the gang's swan song. Too bad they couldn't have gone out on a higher note. Nonetheless, their career from Dead End (1937) to this final entry (1958) spans 20 of the most turbulent years in the nation's history and a whole series of changing popular tastes. A pretty good record of longevity, I think, for a gang of likable losers.