7/10
In no time at all you find that you're about as popular as a wickerwork seat in a nudist camp, and you know what sort of impression that makes on people.
28 April 2011
Carry on Cabby is directed by Gerald Thomas and adapted to a screenplay by Talbot Rothwell from a story by Richard Hills & Sidney Green. It stars Sidney James, Hattie Jacques, Kenneth Connor, Charles Hawtrey, Esma Cannon and Liz Fraser. It's the 7th film of the long running Carry On film franchise. Plot finds James as Charlie Hawkins, a man so obsessed with his taxi business he severely neglects his wife Peg (Jacques). At the end of her tether, Peg sets up her own taxi company called Glam Cabs, the draw being that all the drivers are female, all are gorgeous and all are taking the trade away from Charlie's business. The men try and strike back, but these girls are not for turning.....

Aside from the fact that the cast list is missing big hitters such as Kenneth Williams, Joan Sims and Bernard Bresslaw, Carry on Cabby also stands out from the other series entries for another reason. If it feels a little different, maybe even a touch too tame for the bawdy loving crowd, then that has to do with the fact that Talbot Rothwell actually scripted it as a non series entry. It was to be a standalone picture titled Call Me A Cab, but with the series starting to gain momentum it was reworked as a Carry On movie.

The film is a breezy battle of the sexes comedy built around a more than decent plot. On a list of genuinely funny Carry On movies it most likely struggles to get in the top ten, but if we can judge it away from the series? It has a warm 60's appeal whilst throbbing with classic black and white capery. It's also one of the few Carry On film's that enjoys a pro feminist angle, whilst it's a joy to see Jacques get a decent and touching role some way away from the big bruiser character's she was known for. As the lady viewers enjoy the fun "womans" angle in the plot, the red blooded male is naturally (for a Carry On movie) catered for with plenty of woof-whistle moments (Amanda Barrie-oh my). And the robbery based finale is well constructed by genre legend Gerald Thomas.

Innuendo light, but in this case it's not a bad thing. 7/10
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