The movie is a colourful one, but unfortunately not in a metaphoric manner. The only excitement remains in the shades of blue, red and so on taken from real life jungle birds. And it is watchable, one can give it that, but also forgettable.
The action is cliché-istic, the idea of fear of flight was used for penguins and reindeer, and the plot to make it fit for a parrot is a bit forced. The humans are the geeky boring figures that seem to come most handy to the scriptwriters lately. The bullied child, or the fat child, and the mature geek...haven't we had enough of that? It does transmit the idea of love, sort of, maybe even coin a tear on this subject to some more sensitive viewers, but bearing in mind that it is hardly a movie for adults, what is this intoxicating children with love stories that actually happen much later in life? Do not take this for a prude affirmation, but rather as one pointing out that new good ideas are hard to find, as it seems.
Plus, what could have saved the movie wasn't there. They placed everything in an exotic country, but the atmosphere is lacking. It is as if they read some tourist leaflets and put them into the picture. Let's throw in some smugglers figures, some famous statue, a busy local market and a beautiful rich residence area...that will do it! The samba was, as one character said, boring, because it felt like old and recycled. The carnival of Rio was all over the place, yet it did not seem to be "there". If they went cliché-istic, for example, why didn't the girl dance on top of the carnival cart, but came down and produced a stumbled ballet that went away almost unnoticed? The parrot (Blue - what a creative name, btw), was cute as a baby parrot, parrot-y as an adult and the humans dressed up as parrots were freaky:).
The aftertaste of this animation is that of a spineless one, but then, a lot of those have seemed to meet the ovation of the critics and most of the public in the last year, so nothing new here too. So far this year I liked Gnomeo and Juliet more that this.
The action is cliché-istic, the idea of fear of flight was used for penguins and reindeer, and the plot to make it fit for a parrot is a bit forced. The humans are the geeky boring figures that seem to come most handy to the scriptwriters lately. The bullied child, or the fat child, and the mature geek...haven't we had enough of that? It does transmit the idea of love, sort of, maybe even coin a tear on this subject to some more sensitive viewers, but bearing in mind that it is hardly a movie for adults, what is this intoxicating children with love stories that actually happen much later in life? Do not take this for a prude affirmation, but rather as one pointing out that new good ideas are hard to find, as it seems.
Plus, what could have saved the movie wasn't there. They placed everything in an exotic country, but the atmosphere is lacking. It is as if they read some tourist leaflets and put them into the picture. Let's throw in some smugglers figures, some famous statue, a busy local market and a beautiful rich residence area...that will do it! The samba was, as one character said, boring, because it felt like old and recycled. The carnival of Rio was all over the place, yet it did not seem to be "there". If they went cliché-istic, for example, why didn't the girl dance on top of the carnival cart, but came down and produced a stumbled ballet that went away almost unnoticed? The parrot (Blue - what a creative name, btw), was cute as a baby parrot, parrot-y as an adult and the humans dressed up as parrots were freaky:).
The aftertaste of this animation is that of a spineless one, but then, a lot of those have seemed to meet the ovation of the critics and most of the public in the last year, so nothing new here too. So far this year I liked Gnomeo and Juliet more that this.