8/10
Very good Depression era newspaper/gangster story
30 May 2011
After talkies came in, Warner Brothers didn't really seem to know what to do with Richard Barthelmess, but he hung around in starring roles quite a bit longer than most of his silent counterparts - from 1929 to 1934.

Normally Barthelmess played thoughtful guys put into tight circumstances, and this was probably supposed to be one of those roles, but it doesn't' quite come across right. Breckenridge Lee (Richard Barthelmess) starts out as a totally green and conscientious reporter up from a Savannah paper into a press room of the big city. When the editor announces a campaign against the mob, Lee is the only reporter that takes his assignment seriously. He even walks right up to a speakeasy and asks probing questions to the mobster in charge. Unable to be bribed he writes an expose on the place and it is thus raided by the police. The mob then beats him up one night in retaliation, badly enough that he needs hospitalization and his medical bills pile up. He is surprised when the city editor balks at helping him financially, as he denies that Lee's beating had anything to do with the paper at all and hints that Lee's injuries probably had something to do with him drinking and hanging around unsavory people after work.

Now this is where things get a bit unrealistic. Lee instantly turns from green honest reporter to money hungry and corrupt. He figures if you can't beat them, join them. He takes money from the mob and in return agrees to keep the paper and thus the cops off of their backs. He justifies this by saying that the only way that the mob will ever pay is with money to him - but he's not exactly giving the loot away to charity.

Fay Wray plays Lee's love interest as fellow reporter Marcia who at first suspects then knows the truth and loves him just the same. Regis Toomey plays a supporting role as someone who would like to win Marcia's heart but knows when he's beat. Robert Elliot is the gruff tough city editor who often played a cop in the early talkies. Of course, most notable here is Clark Gable, sitting in the palm of Jack Warner's hand, and not being recognized by him as a star in the making. Gable is impressive here as a spats-wearing charming sinner, the gangster who sees Lee as a useful idiot - for awhile anyways.
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