Another powerful drama after The Magdalene Sisters from Peter Mullan, set amidst the adolescent gang culture of 70s Glasgow, and loosely based on personal experience. John McGill, played with both menacing brawn and sensitive intelligence by McCarron, turns his back on his academic successes in favour of his older brothers gang lifestyle after experiencing prejudices within society and hypocritical, violent authority figures.
The film doesn't hold back on the violence that gang mentality stirs up, often contrasting the boys as softly spoken individuals from decent homes against their violent gang behaviour. It's genuinely disturbing to see a good kid at heart fall so low, but Mullan's real stamp on the material separating it from countless other grim rites of passage social realist films is an almost comic absurdity. Highlights include Gary Wells as a piggy-back offering teacher, a kicking from Jesus himself in John's lowest point, a safe passage through a group of genuine predators and in the films most intense sequence John turning into a cross between Travis Bickle and Freddy Krueger.
It is to Mullan and his actors credit that such deviations in tone don't unbalance the powerful, realistic drama at the heart of the film, even if they start to confuse and put into question the main characters state of mind.
The film doesn't hold back on the violence that gang mentality stirs up, often contrasting the boys as softly spoken individuals from decent homes against their violent gang behaviour. It's genuinely disturbing to see a good kid at heart fall so low, but Mullan's real stamp on the material separating it from countless other grim rites of passage social realist films is an almost comic absurdity. Highlights include Gary Wells as a piggy-back offering teacher, a kicking from Jesus himself in John's lowest point, a safe passage through a group of genuine predators and in the films most intense sequence John turning into a cross between Travis Bickle and Freddy Krueger.
It is to Mullan and his actors credit that such deviations in tone don't unbalance the powerful, realistic drama at the heart of the film, even if they start to confuse and put into question the main characters state of mind.