Someone once said, "Never do movies with dogs or babies. You'll loose every time". That proves to be true for Bing Crosby and Joan Blondell in this 1939 Universal comedy with songs. They have the first half of the movie to dominate, but once Baby Sandy comes on, it's all over for these two. Crosby is a singing cab driver who finds that the estranged wife of a drunken pal has left a baby in his cab to prevent her father-in-law from taking custody of the child. Crosby must then hide the baby until the mother reclaims it and prevent a nasty reporter from exposing him. Joan Blondell plays his girlfriend and gives her usual peppy wide-eyed performance, but really is wasted here. Fresh from 9 years at Warner Brothers, she was obviously hoping for better things, but didn't get it in this movie. Crosby sings a few charming songs, and is basically the same as he is in pretty much every other movie he made up to that point.
Surrounding these two stars are such familiar character actors as Mischa Auer (as Crosby's Russian roommate) and C. Aubrey Smith as the grouchy millionaire/father-in-law. All of them don't mean squat once Baby Sandy shows up on the screen. Even cuter than Baby LeRoy, this tot smiles and plays for the camera as if she had one starring at her at birth. It's obvious as to why Universal felt she could handle her own series. Without the presence of this adorably little girl, the film would be entirely too cloying to enjoy.
Surrounding these two stars are such familiar character actors as Mischa Auer (as Crosby's Russian roommate) and C. Aubrey Smith as the grouchy millionaire/father-in-law. All of them don't mean squat once Baby Sandy shows up on the screen. Even cuter than Baby LeRoy, this tot smiles and plays for the camera as if she had one starring at her at birth. It's obvious as to why Universal felt she could handle her own series. Without the presence of this adorably little girl, the film would be entirely too cloying to enjoy.