Going into watching this film, I had recently watched the BBC adaptation, which is a master piece of television. So when I review this film, it is in comparison with the BBC version from 1979.
Firstly I have to talk about the Mise en scène. The film is set in 1973 and everything is made to feel drab, desaturated and used, as if the 60s never happened. The feeling is that Britain is old, not the power that it once was, where bureaucracy is beginning to take over and everyone is feeling negative.
Tinker, Tailor, Soldier, Spy has a very strong cast and I think, mostly everyone does very well. Gary Oldman is one of my favourite actor and his portrayal of George Smiley is one of the most subtle and destingished performances I have seen from an actor, He is soft spoken, often letting his gestures and movements do the talking. Tom Hardy again shows that he is one of the best up and coming actors, dominates his scenes, with skill and vigour, that never goes over the top. It actually show the skill that Gary Oldman has that he doesn't feel the need to compete and it reinforces the gravitas that his character has.
Benedict Cumberbatch is good in his role, though I don't always feel that he has a toughness that his character should have. Kathy Burke handles a very hard role well, though she isn't in the film for long and her scene doesn't feel as important, as I feel it should. The role of Control is probably the most over the top and for me works the least well. Mark Strong gives a good performance but I would have liked to see slightly more of his character.
John Hurt tries very hard as a man running out of time but the character feels forced and doesn't quite work. I am not sure if this is down to the acting of just the way the character was originally written.
With the four members of the top of the circus, I have mixed views. The film starts to try and build the four of them up but then fails to keep the early momentum going. I think the acting is well done, though Toby Jones character isn't nearly as pompous as I would have liked and David Dencik just breaks down to easily towards the end. Ciarán Hinds is a very strong actor but he isn't given enough to do which does leave a problem. Colin Firth plays the most likable character in the entire film and does a good job, coming over as friendly and reliable.
I am not a fan of films where the cinematography is particularly noticeable and this is one of the more distracting things for me with the new version of the film. Hoyte Van Hoytema is a very talented director of photography and is quite amazing, for me Oscar worthy if you enjoy it. But I just found that the constant use of and changing of depth of field, especially in the first half of the film was too artsy. It didn't help much with the pacing of the film, which I will go onto in a while. The score by Alberto Iglesias is very underplayed but perfectly fits the tone of the film, never distracting and extremely subtle. There is also a very interesting moment in the film where is played which although from the 1930s works very well.
Tomas Alfredson is a good director and I suspect a very good actors director, bringing out some very good performances. I cannot give complete praise though. Scenes don't always seem to flow as well as I would have liked, in conjunction with the cinematography there is a lot of lingering around, where nothing his happening, which is meant to show a character contemplating but is just slow.
In the end though the biggest problem with the film is time, Bridget O'Connor and Peter Straughan have done a sterling job of trying to adapt John le Carré book, but I just don't feel that they can succeed in the time allowed for a film. There are just so many little things that the film has to either cut or condense, and some of the characters are never given the space that they need, to build up the tension that is needed for a 'who done it'.
The film is not bad, in fact it is good. It cannot compete with the BBC series though and how ever good Gary Oldman, he runs up against the classic performance Alec Guinness gave in the role. If you have not seen the BBC series, I would suggest watching the film first and then watching the TV series because it is the definitive version of the story and also leads to Smiley's People which for me is even better.
Firstly I have to talk about the Mise en scène. The film is set in 1973 and everything is made to feel drab, desaturated and used, as if the 60s never happened. The feeling is that Britain is old, not the power that it once was, where bureaucracy is beginning to take over and everyone is feeling negative.
Tinker, Tailor, Soldier, Spy has a very strong cast and I think, mostly everyone does very well. Gary Oldman is one of my favourite actor and his portrayal of George Smiley is one of the most subtle and destingished performances I have seen from an actor, He is soft spoken, often letting his gestures and movements do the talking. Tom Hardy again shows that he is one of the best up and coming actors, dominates his scenes, with skill and vigour, that never goes over the top. It actually show the skill that Gary Oldman has that he doesn't feel the need to compete and it reinforces the gravitas that his character has.
Benedict Cumberbatch is good in his role, though I don't always feel that he has a toughness that his character should have. Kathy Burke handles a very hard role well, though she isn't in the film for long and her scene doesn't feel as important, as I feel it should. The role of Control is probably the most over the top and for me works the least well. Mark Strong gives a good performance but I would have liked to see slightly more of his character.
John Hurt tries very hard as a man running out of time but the character feels forced and doesn't quite work. I am not sure if this is down to the acting of just the way the character was originally written.
With the four members of the top of the circus, I have mixed views. The film starts to try and build the four of them up but then fails to keep the early momentum going. I think the acting is well done, though Toby Jones character isn't nearly as pompous as I would have liked and David Dencik just breaks down to easily towards the end. Ciarán Hinds is a very strong actor but he isn't given enough to do which does leave a problem. Colin Firth plays the most likable character in the entire film and does a good job, coming over as friendly and reliable.
I am not a fan of films where the cinematography is particularly noticeable and this is one of the more distracting things for me with the new version of the film. Hoyte Van Hoytema is a very talented director of photography and is quite amazing, for me Oscar worthy if you enjoy it. But I just found that the constant use of and changing of depth of field, especially in the first half of the film was too artsy. It didn't help much with the pacing of the film, which I will go onto in a while. The score by Alberto Iglesias is very underplayed but perfectly fits the tone of the film, never distracting and extremely subtle. There is also a very interesting moment in the film where is played which although from the 1930s works very well.
Tomas Alfredson is a good director and I suspect a very good actors director, bringing out some very good performances. I cannot give complete praise though. Scenes don't always seem to flow as well as I would have liked, in conjunction with the cinematography there is a lot of lingering around, where nothing his happening, which is meant to show a character contemplating but is just slow.
In the end though the biggest problem with the film is time, Bridget O'Connor and Peter Straughan have done a sterling job of trying to adapt John le Carré book, but I just don't feel that they can succeed in the time allowed for a film. There are just so many little things that the film has to either cut or condense, and some of the characters are never given the space that they need, to build up the tension that is needed for a 'who done it'.
The film is not bad, in fact it is good. It cannot compete with the BBC series though and how ever good Gary Oldman, he runs up against the classic performance Alec Guinness gave in the role. If you have not seen the BBC series, I would suggest watching the film first and then watching the TV series because it is the definitive version of the story and also leads to Smiley's People which for me is even better.