Death Line (1972)
6/10
Too lingering, but still good on atmosphere
30 October 2011
Warning: Spoilers
Don't get me wrong. I love British horror movies, I'm a huge fan of Donald Pleasance and Christopher Lee (although the latter has nothing but a glorified cameo), but I don't feel this one lived up to its brilliant premise.

It starts off very promising, with a great title sequence, the first attack happens quickly and the mood is set within the first ten minutes. Then sadly the movie just sort of lingers, with several overlong sequences leading up to a finale that is merely okay. It could easily have been edited down with at least 10 minutes, and although I still found the end product mildly entertaining I can't help but think about the amazing potential it had. Pleasance as a police inspector facing cannibals living in the London underground? That alone sounds like the coolest British film ever made. Well sadly it's not.

A key factor when you want to create an effective horror film is to keep the threat constant, to have it sort of luring in the background in every scene. Well for me the monster(s) didn't seem threatening enough, as a matter of fact it came off more sympathetic than monstrous. So when the villain in a horror movie doesn't frighten you, what are we left with to scare us? The empty underground tunnels? Christopher Lee as an arrogant MI-5 operative? Not likely. It has some good effective gore though, I'll give it that.

There is some fun acting from Pleasance and the supporting cast (like Clive Swift of later "Keeping Up Appearances"-fame), but too many of the characters also seem a bit wasted as most of them have little if any effect on the main plot itself. After all the American student is the guy who actually makes an impact on the plot, the police itself is too busy drinking tea and harassing bartenders.

But I'm guessing the filmmakers were aware of what was missing when they released the film with false advertising and a poster that LIES.

*MILD SPOILERS BELOW, NOT RELATED TO THE ENDING*

The original vintage poster showed a whole group of cannibals, giving off the impression that we're in for some "living dead"-type horror action, where the threat is VERY real and dangerous. Instead we're treated to ONE single cannibal grieving his mate. Where the Heck is the scary HORROR? More than anything else I felt sorry for the poor cannibal, the last of his kind.

The film wins on atmosphere and that wonderful British quirkiness, but that's about it.
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