Romantic liaisons between younger women and older men aren't supposed to last. The initial impulse isn't supposed to last, the incompatibilities in age and lack of shared cultural experiences are supposed to prevent a deep bond from forming, and the censure of polite society is supposed to eventually cause the parties to sever their ties. Yet what if the initial impulse is deep enough, and various parties around the lovers are rash enough, to trigger effects which last for the lifetimes of both participants? This is the intriguing scenario explored by director/writer Claude Chabrol (assisted by writer Cecile Maistre) in "A Girl Cut in Two".
The "May" of the romance is a young on-air television personality wonderfully played by Ludivine Sagnier, who in this film is the embodiment of the expression "a breath of fresh air". The "September" of the romance is an aging author and intellectual capably portrayed by Francois Berleand. Sagnier manages to demonstrate some believable longing and chemistry towards Berleand, even though their scenes together are not explicit (Sagnier fans will see a lot more of her, so to speak, in the film "Swimming Pool"). Unfortunately for our lovers, not only is Berleand's character married as well as fussed over by a publicity agent (played by Mathilda May) with whom he is also dallying on the side, but Sagnier's character is the desired object of affection of a brash, spoiled young heir played by Benoit Magimel. This combustible mix eventually explodes, as it must.
"A Girl Cut in Two" is a very French film, and will appeal to those seeking an immersion in French culture, society, and morals. The setting is not Paris but rather the smaller southern French city of Lyon, which is beautifully captured on film. But the most intriguing aspect of the film is Berleand's character, and what his many actions and deceptions say about French society and morals in the early 21st century. Berleand's character, although he is exalted for the truths contained in his writings, invents different "truths" to suit his circumstances, and eventually pays a price for doing so.
Ludivine Sagnier fans who appreciate her for more than just the charms of her beauty and body will enjoy "A Girl Cut in Two", as will those seeking a thought provoking film about upper-crust French society.
The "May" of the romance is a young on-air television personality wonderfully played by Ludivine Sagnier, who in this film is the embodiment of the expression "a breath of fresh air". The "September" of the romance is an aging author and intellectual capably portrayed by Francois Berleand. Sagnier manages to demonstrate some believable longing and chemistry towards Berleand, even though their scenes together are not explicit (Sagnier fans will see a lot more of her, so to speak, in the film "Swimming Pool"). Unfortunately for our lovers, not only is Berleand's character married as well as fussed over by a publicity agent (played by Mathilda May) with whom he is also dallying on the side, but Sagnier's character is the desired object of affection of a brash, spoiled young heir played by Benoit Magimel. This combustible mix eventually explodes, as it must.
"A Girl Cut in Two" is a very French film, and will appeal to those seeking an immersion in French culture, society, and morals. The setting is not Paris but rather the smaller southern French city of Lyon, which is beautifully captured on film. But the most intriguing aspect of the film is Berleand's character, and what his many actions and deceptions say about French society and morals in the early 21st century. Berleand's character, although he is exalted for the truths contained in his writings, invents different "truths" to suit his circumstances, and eventually pays a price for doing so.
Ludivine Sagnier fans who appreciate her for more than just the charms of her beauty and body will enjoy "A Girl Cut in Two", as will those seeking a thought provoking film about upper-crust French society.