Review of Hell

Hell (2011)
8/10
Good German post-apocalyptic thriller
2 January 2012
To start my review: "Hell" means "Bright" in English.

It is a rare thing, even nowadays, a German film studio realizes a serious, dark film which has nothing to do with World War 2 or family drama.

Hell plays, without giving away any spoilers, in an post-apocalyptic scenario in which the sun burned everything down. People try to survive. You know this kind of scenario from movies like "Mad Max" or "The Book Of Eli". However, the sun aspect gives it an unused touch.

The actors do a great job in making us believe they are in big trouble. In the bright parts as in the dark parts of the movie. The antagonists are also believable in the movie's logic.

This is the first feature film directed by Tim Fehlbaum. On the one hand, you can argue he is copying big Hollywood films, which I would not disagree. On the other hand I find it kind of brave to show the German audience that a post apocalyptic movie can also be made in Germanym, with near Hollywood quality and with a small budget of about 5 million Euros. The style is amazing, the scenario believable.

Plus, the film does not show any CGI effects beside the extreme sun bloom, which is done digitally and very good. Everything else is based on the characters and their "path" to survive and find better places to live. The story itself is not very innovative but decent to watch, thrilling and without major flaws.

As a conclusion: This movie is underrated in my opinion. It is brave to make such a movie in Germany, if you compare most of the other German movies from the past 5 years, excluding "Die Welle (The Wave)". "Hell" is well-paced, has good actors and a good director who knows what he is doing. If you like films like this, you will not get bored.

Sure, "Hell" never reaches Hollywood-big-budget blockbuster quality and the sets are pretty limited. However, as a genre film, which are SO rare in Germany, it works and it is sad this film did not have success at the box office. It deserved better. Especially when looking at the future of German filmmaking, which I do not want to be Til Schweiger-only.

8 / 10
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