"Black Past" is the type of film that you will never watch in case you're a normal human being with regular and healthy cultural interests. This film, as well as Olaf Ittenbach's entire repertoire for that matter, will only be seen by horror insiders and fans of underground cult cinema. This was Ittenbach's very first film. His main inspiration clearly was "The Evil Dead", but unfortunately our German friend only shares Sam Raimi's enthusiasm and not his talent. And still, Ittenbach definitely deserves a certain sort of respect, because at young and fragile age of 20, he pulled it off almost entire by himself. Olaf writes, stars, directs, edits, produces and designs the special effects. And even though it took him nearly a decade before he delivered his second film "Burning Moon", Ittenbach is now a more or less reliable cult director with a selective yet very loyal fan base. Most of his movies are crap, especially stuff like "Legion of the Dead" or "House of Blood", but he's somewhat of a cult icon.
Anyways! Ittenbach depicts the lead character Tommy, and for some peculiar reason he insists on introducing himself with an overly close- up shot of his naked butt-cheeks. He shows off his skinny booty at several moments throughout the film, by the way, and at a certain point I'm actually even sure that he wore ladies' underwear Shortly after moving into a new home with his family, Tommy stumbles upon an antique mirror in the attic. Too bad the mirror homes a demon that, for more than a century already, torments the tenants of the house where once a little boy died from starvation. True, I've definitely seen horror movies of which the basic premise was a lot more stupid, but I haven't seen so many that were accomplished so cheap and cheesy as "Black Past"! During the first 30-40 minutes, practically nothing happens. Now I can tolerate a lot of gratuitous gore and clumsy make-up effects, but the two things I absolutely cannot stand are amateurish ugly teenage "actors" that stare straight into the camera and an overload of pointless padding footage, like compilations of classroom activities or a young couple visiting the zoo (complete with atrocious musical guidance, of course). There are even collages in which you can see the characters talk to each other, but we can't hear the conversation. I truly hate that! Remember also that it was still the 1980's, so a large share of the cast – including Olaf Ittenbach – has a mullet and wears the dumbest colorful outfits. And since the first half hour is so boring, I even paid attention and got hugely irritated by the awful sound effects and editing quality. Seriously, you can hear birds singing inside a hermetically sealed off kitchen and the sound of footsteps follow approximately five seconds after the character stands still already.
"Black Past" only becomes (temporarily) worthwhile as soon as Tommy's possessed girlfriend throws herself in front of a car and he becomes plagued with horrifying visions of bloodied faces, rotting corpses and his own disemboweled dead girlfriend coming back from the dead over and over again. The film most certainly features some very depraved scenes, like a blade shoved up a girl's crotch or a nail hit right through a penis, but the slightly squeamish people among us don't have to worry too much. The gore might be sick and twisted, but it's never at one point shocking or disturbing. Ittanbach completely goes over-the-top during the last fifteen minutes of the film with extreme gore and a nicely deranged variety of "how to butcher my entire cast of befriended volunteers" ideas! The finale sure does evoke plenty of laughter!
Fun little to end with: two totally different and not-so-resembling actors play the role of Tommy's father. Suddenly and without apparent reason, the father is 20 years young and lost his mustache!
Anyways! Ittenbach depicts the lead character Tommy, and for some peculiar reason he insists on introducing himself with an overly close- up shot of his naked butt-cheeks. He shows off his skinny booty at several moments throughout the film, by the way, and at a certain point I'm actually even sure that he wore ladies' underwear Shortly after moving into a new home with his family, Tommy stumbles upon an antique mirror in the attic. Too bad the mirror homes a demon that, for more than a century already, torments the tenants of the house where once a little boy died from starvation. True, I've definitely seen horror movies of which the basic premise was a lot more stupid, but I haven't seen so many that were accomplished so cheap and cheesy as "Black Past"! During the first 30-40 minutes, practically nothing happens. Now I can tolerate a lot of gratuitous gore and clumsy make-up effects, but the two things I absolutely cannot stand are amateurish ugly teenage "actors" that stare straight into the camera and an overload of pointless padding footage, like compilations of classroom activities or a young couple visiting the zoo (complete with atrocious musical guidance, of course). There are even collages in which you can see the characters talk to each other, but we can't hear the conversation. I truly hate that! Remember also that it was still the 1980's, so a large share of the cast – including Olaf Ittenbach – has a mullet and wears the dumbest colorful outfits. And since the first half hour is so boring, I even paid attention and got hugely irritated by the awful sound effects and editing quality. Seriously, you can hear birds singing inside a hermetically sealed off kitchen and the sound of footsteps follow approximately five seconds after the character stands still already.
"Black Past" only becomes (temporarily) worthwhile as soon as Tommy's possessed girlfriend throws herself in front of a car and he becomes plagued with horrifying visions of bloodied faces, rotting corpses and his own disemboweled dead girlfriend coming back from the dead over and over again. The film most certainly features some very depraved scenes, like a blade shoved up a girl's crotch or a nail hit right through a penis, but the slightly squeamish people among us don't have to worry too much. The gore might be sick and twisted, but it's never at one point shocking or disturbing. Ittanbach completely goes over-the-top during the last fifteen minutes of the film with extreme gore and a nicely deranged variety of "how to butcher my entire cast of befriended volunteers" ideas! The finale sure does evoke plenty of laughter!
Fun little to end with: two totally different and not-so-resembling actors play the role of Tommy's father. Suddenly and without apparent reason, the father is 20 years young and lost his mustache!