While it lets you off the hook too easily, there's still some moments of genuine suspense that should keep you engaged for the duration of this Spanish-Italian co-production. A group of motorists become lost in a fog and seek shelter in an isolated mansion nearby a cemetery. The gracious host (Galli) explains that the mansion belongs to her family and is allegedly cursed by the deaths of her aunt and a chauffeur following a tragic accident many years before. Unable to make it to Milan, the group accepts the kind invitation to stay the night, but will they survive to see morning? Yes and no.
Galli is a stunning woman and her appeal is palpable, but she has little to do except be a courteous host, while Gade in the central role, does a reasonable job with her emotionally traumatised character, haunted by events involving her father years before (even if the emphasis on these events and her character seem to be trivial in retrospect). Franco Fantasia might be a recognisable face to some, and he adds some colour as a tail-chasing cuckold, barely surviving his mid-life crisis clutching at a hip flask and clumsily attempting to bed the fellow female guests. Finally, Leonardi as the young hitch-hiker is also very easy on the eyes, and unlike Galli, has more meat to her character, playing a plucky and sexy heroine.
The make-up effects aren't bad, there's some spooky atmosphere at times and disconcerting encounters with apparently un-dead fiends, but the climax really - in my opinion - doesn't do the narrative, or film, justice. While it's unexpected, it's equally unsatisfying and diminishes the overall experience. Not terrible, but disappointing.
Galli is a stunning woman and her appeal is palpable, but she has little to do except be a courteous host, while Gade in the central role, does a reasonable job with her emotionally traumatised character, haunted by events involving her father years before (even if the emphasis on these events and her character seem to be trivial in retrospect). Franco Fantasia might be a recognisable face to some, and he adds some colour as a tail-chasing cuckold, barely surviving his mid-life crisis clutching at a hip flask and clumsily attempting to bed the fellow female guests. Finally, Leonardi as the young hitch-hiker is also very easy on the eyes, and unlike Galli, has more meat to her character, playing a plucky and sexy heroine.
The make-up effects aren't bad, there's some spooky atmosphere at times and disconcerting encounters with apparently un-dead fiends, but the climax really - in my opinion - doesn't do the narrative, or film, justice. While it's unexpected, it's equally unsatisfying and diminishes the overall experience. Not terrible, but disappointing.