Oversimplified, this film is a bad a mash up of the classic abuse of Peter Lorre's classic "M" (1933) and Rob Reiner's "Stand by Me" (featuring Wil Wheaton).
The film focuses on the small town exploration of three young boys who live in a small town where the monsters are real. Here monsters are the socially repugnant adults who use the children and weaker adults for their own devices.
The presentation of the issue of child abuse is heavy handed and obvious from the beginning where we are introduced the characters all of whom fit the obvious of the young hero films.
Unlike the old teenager training films from the 1950s and 1960s which showed the dangers of the alcohol, illegal drugs and dropping out of school that showed the targeted children in a sympathetic light, none of these boys are appreciable in this story.
Nolan Gould plays a foul mouthed egotistical leader of a band of three boys who are all the subject of abuse. He suffers from the abuse of disinterest by his well meaning though emotionally shallow parents. His father is obviously at odds with his own overly kind father. His overweight friend is the abuse of a drunken sexually frustrated mother who uses her underage son as her own personal sex toy. He retreats into overeating as a means of self protection until he finds a friend in Gould's aggressive leadership. The third boy is physically abused by the stereotypical drunk father who at the end event has his right eye bear shut by said drunk father. But he is almost as evil as his father for he almost shoots his father in the back several times with only fear of jail preventing him from pulling the trigger. He continues to allows his father to abuse his mother rather than tell the police as the entire town people knows knows about the drunk gravedigger.
You will not be able to appreciate the police who are incompetent in finding several missing children. Even in this 1980s setting they fail to get the town people to amass searches for these missing children.
I will not spoil the ending about the killer -- the so called "Ghoul" -- and its reason for doing what it does. But I will say this this is NOT a horror film. And if you are expecting a horror film you are going to be HORRIBLY disappointed.
This film is a social commentary and awareness film that presents its message "Protect the children. Do not let the children be abused" in a manner than will make most watchers of this horror film turn the channel and ignore the message for the simple fact this movie does NOT take itself seriously as a social commentary movie. It devolves into tricking the horror and gore consumers into waiting for events that the movie is actively trying to avoid -- namely the murder as in all horror and monster films.
Targeting an audience who are expecting horror/thriller when that is specifically the topic you are trying to deny is unforgivable. At least this film should have presented characters you could identify with for their plight. At most all you will hope for is these children will get adopted by people who are more mentally aware than these idiotic stereotypical adults who are far too obvious and annoying.
The film focuses on the small town exploration of three young boys who live in a small town where the monsters are real. Here monsters are the socially repugnant adults who use the children and weaker adults for their own devices.
The presentation of the issue of child abuse is heavy handed and obvious from the beginning where we are introduced the characters all of whom fit the obvious of the young hero films.
Unlike the old teenager training films from the 1950s and 1960s which showed the dangers of the alcohol, illegal drugs and dropping out of school that showed the targeted children in a sympathetic light, none of these boys are appreciable in this story.
Nolan Gould plays a foul mouthed egotistical leader of a band of three boys who are all the subject of abuse. He suffers from the abuse of disinterest by his well meaning though emotionally shallow parents. His father is obviously at odds with his own overly kind father. His overweight friend is the abuse of a drunken sexually frustrated mother who uses her underage son as her own personal sex toy. He retreats into overeating as a means of self protection until he finds a friend in Gould's aggressive leadership. The third boy is physically abused by the stereotypical drunk father who at the end event has his right eye bear shut by said drunk father. But he is almost as evil as his father for he almost shoots his father in the back several times with only fear of jail preventing him from pulling the trigger. He continues to allows his father to abuse his mother rather than tell the police as the entire town people knows knows about the drunk gravedigger.
You will not be able to appreciate the police who are incompetent in finding several missing children. Even in this 1980s setting they fail to get the town people to amass searches for these missing children.
I will not spoil the ending about the killer -- the so called "Ghoul" -- and its reason for doing what it does. But I will say this this is NOT a horror film. And if you are expecting a horror film you are going to be HORRIBLY disappointed.
This film is a social commentary and awareness film that presents its message "Protect the children. Do not let the children be abused" in a manner than will make most watchers of this horror film turn the channel and ignore the message for the simple fact this movie does NOT take itself seriously as a social commentary movie. It devolves into tricking the horror and gore consumers into waiting for events that the movie is actively trying to avoid -- namely the murder as in all horror and monster films.
Targeting an audience who are expecting horror/thriller when that is specifically the topic you are trying to deny is unforgivable. At least this film should have presented characters you could identify with for their plight. At most all you will hope for is these children will get adopted by people who are more mentally aware than these idiotic stereotypical adults who are far too obvious and annoying.