6/10
The Monolith Monsters
28 April 2012
Warning: Spoilers
Here is a novel premise: the whole paranoia of "watching the skies" gets a unique sci-fi spins when meteorites, crashing into a mountainous desert outside a little township, whose ingredients consist primarily of silicate materials, grows when water is applied, enlarging at an alarming rate, towering to great heights, falling and breaking apart onto land, buildings, and anything else that they come in contact with. Humans who contact the meteorite pieces, when water is a major factor, start to stiffen into silicate themselves and it is a race against time to discover how to stop the meteorites from spreading, destroying everything in their path. I love these sci-fi B-movies from the 50s, particularly the ones released by Universal Studios. Shot in a serious manner, with a scientific approach applied to analyzing and conquering the threat, whether it be man-made or from space, movies like "The Monolith Monsters" are like rock candy to me…I have a sweet tooth for these sci-fi chillers/creature features, and especially fond of those movies shot in rural towns with small local farming communities or blue collar areas outside the big cities. This movie's threat is certainly unique—rocks as tall as skyscrapers falling, "Timber!", like trees cut by lumberjacks, with our heroes looking on from afar, is quite a visual, even if atypical of the genre. But that, I think, sets this apart from the usual fair…not a funny-looking monster made from scraps or rubber, or a giant creature of some sort, this movie has meteorites as a global threat against mankind, using water, of all things, as the source of their growth. As usual, there's a miracle cure for how to stop the meteorites (which have inherited plenty of mysteries from space during their travels to the earth's surface), and we get the big finale where a dam is exploded and a saline solution might be the key ingredient in how to trigger a reverse in the growing pattern. Seeing meteorites grow on spot when water hits them and the knowledge that large silicate rock formations are your threats to mankind might be a bit too silly for some viewers, but I had some fun with this regardless. It is cotton candy to me, really, and doesn't overstay its welcome. Sure, it might be a bit corny, but I always appreciate the earnestness of the performances regardless of what "monsters" might threaten their characters' local communities within the plots of these disregarded studio B-movie cheapies. I always credit the no-name casts of these movies during this era for providing credible portraits of ordinary people facing extraordinary circumstances, with the fate of mankind possibly in their hands.
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