Bob Hope traipses up the palace gallery to be presented to the king—he is posing as a duke. Using a lorgnette, he can't see where he's going, and he gradually veers off to one side and stumbles into a lady kneeling on the floor and tumbles over her, knocking down about three other people
.It's a ridiculously funny sequence.
Hope is Beaucaire, a court barber in costume-era France. He gets mixed up in court politics and intrigue; poses as the Duc le Chandre, renowned lover and duelist; and chases after his girlfriend Mimi—who may or may not reciprocate his romantic feelings but certainly has adventures of her own.
The entire cast is lively and beautiful in this very funny picture. Joan Caulfield as Mimi is bright, charming and silly; Marjorie Reynolds as a Spanish princess is lovely. Patric Knowles is dashing enough as the notorious duke—he is the perfect choice (King Louis thinks) to be shipped off to marry said Spanish princess, not only for political reasons but because all the "young bloods" in Paris will be happy to be rid of him. Cecil Kellaway is the harried count whose difficult duty it is to transport the reluctant duke to the arranged wedding site.
Reginald Owen is hilariously un-regal as King Louis, and owns every scene he is in. Other highlights include a goofy palace swordfight between Hope and villain Joseph Schildkraut that involves a harp, a bass fiddle, and a harpsichord.
Funny and fast-paced .A couple of decent songs and the usual assortment of Hope one-liners add up to a very enjoyable picture.
Hope is Beaucaire, a court barber in costume-era France. He gets mixed up in court politics and intrigue; poses as the Duc le Chandre, renowned lover and duelist; and chases after his girlfriend Mimi—who may or may not reciprocate his romantic feelings but certainly has adventures of her own.
The entire cast is lively and beautiful in this very funny picture. Joan Caulfield as Mimi is bright, charming and silly; Marjorie Reynolds as a Spanish princess is lovely. Patric Knowles is dashing enough as the notorious duke—he is the perfect choice (King Louis thinks) to be shipped off to marry said Spanish princess, not only for political reasons but because all the "young bloods" in Paris will be happy to be rid of him. Cecil Kellaway is the harried count whose difficult duty it is to transport the reluctant duke to the arranged wedding site.
Reginald Owen is hilariously un-regal as King Louis, and owns every scene he is in. Other highlights include a goofy palace swordfight between Hope and villain Joseph Schildkraut that involves a harp, a bass fiddle, and a harpsichord.
Funny and fast-paced .A couple of decent songs and the usual assortment of Hope one-liners add up to a very enjoyable picture.