A KVIFF viewing, an Italian film from director Daniele Vicari, the film undertakes a sticky task to recount the fierce police assault on the so-called black-bloc group (mostly foreigners, students, journalists) after some protesters' affray in the final days of 2001 G8 Summit in Genova.
The film's chief characteristic is its visual language, shockingly bold and deadly savage, which inevitably will be shunned by the demography of those are intolerable of graphic violence. One must admit, we are now in the era where news generally fade away in a 48-hour rotation, there are myriads of mostly recent "unfortunate incidents" have been erased from our mind, so as to this film takes a quite extreme measurement to remind us such horrifying and atrocious events did actually exist only a decade ago in a developed western country, with government authorities holding the reins.
The very first scene, is a backward slow-motion of a protester slinging an empty bottle toward the police vehicles which are deliberately passing by the area, in order to procure a professed pretext to carry out the subsequent battery, so allegedly the entire action is ruthlessly plotted to set an example and to hector the masses. Two-thumbs up to the valor of the film, which fearlessly exposes the dark side of the government and the powerlessness of individual. But when the said slow-motion has been exploited multiple times, a dwindling impact inexorably occurs each time it recurs.
Due to the fact the approach of depicting this scandalizing event in a multi-reflective manner, it entails a wide range of characters, local volunteers, various foreigners (among those are many innocent victims and the real peace-breakers who ironically evade the brute force), policemen who execute the operation, The numerous cast diffuses one's concentration while most roles are underwritten and loosely connected or fragmented, nevertheless Jennifer Ulrich gives a gutsy impression as a victim traumatized both outside and inside, Claudio Santamaria, also stands out among the bulk of cast, as the righteous Italian policeman who is more of a reluctant witness than a government's henchman or heavy.
Anyway, with excellent editing, sound effects and a steady camera eye, the film is a quite mature work, on which one definitely could ruminate and alert oneself to be more conscious of the tragic happenings, they are just around us, be wise and be careful.
The film's chief characteristic is its visual language, shockingly bold and deadly savage, which inevitably will be shunned by the demography of those are intolerable of graphic violence. One must admit, we are now in the era where news generally fade away in a 48-hour rotation, there are myriads of mostly recent "unfortunate incidents" have been erased from our mind, so as to this film takes a quite extreme measurement to remind us such horrifying and atrocious events did actually exist only a decade ago in a developed western country, with government authorities holding the reins.
The very first scene, is a backward slow-motion of a protester slinging an empty bottle toward the police vehicles which are deliberately passing by the area, in order to procure a professed pretext to carry out the subsequent battery, so allegedly the entire action is ruthlessly plotted to set an example and to hector the masses. Two-thumbs up to the valor of the film, which fearlessly exposes the dark side of the government and the powerlessness of individual. But when the said slow-motion has been exploited multiple times, a dwindling impact inexorably occurs each time it recurs.
Due to the fact the approach of depicting this scandalizing event in a multi-reflective manner, it entails a wide range of characters, local volunteers, various foreigners (among those are many innocent victims and the real peace-breakers who ironically evade the brute force), policemen who execute the operation, The numerous cast diffuses one's concentration while most roles are underwritten and loosely connected or fragmented, nevertheless Jennifer Ulrich gives a gutsy impression as a victim traumatized both outside and inside, Claudio Santamaria, also stands out among the bulk of cast, as the righteous Italian policeman who is more of a reluctant witness than a government's henchman or heavy.
Anyway, with excellent editing, sound effects and a steady camera eye, the film is a quite mature work, on which one definitely could ruminate and alert oneself to be more conscious of the tragic happenings, they are just around us, be wise and be careful.