I enjoyed this film despite the fact that it doesn't explore new ground and the ending was too abrupt and "neat" given what had transpired before. The plot was a little weak but what worked was the actors and the relationships established particularly between the characters of Sabah and Steven. The actors had nice chemistry and were convincing in their roles.
However, upon reflection, I think the best scene is the penultimate one between Sabah and her brother. Their argument seemed very real. They were two people who loved each other but were extremely frustrated with one another. Neither one is able to completely see the other's point of view. As they argue, they both talk on top of each other each bringing up past events that are neither completely true or completely false. And finally, as Sabah walks away for what may be the last time, her brother reveals a truth about their family's situation AND at the same time demonstrates his true motivation for being so intolerant of her relationship: an overwhelming sense that, in the end, he has failed his deceased father and his family. With that admission, he and his sister can move on to create a better situation for all concerned. Great writing and acting!
(My favorite quote from the movie? When Sabah's mother sneaks out to visit Sabah's boyfriend at his carpenter shop. Her first words upon entering: "What's with all the crosses?")
However, upon reflection, I think the best scene is the penultimate one between Sabah and her brother. Their argument seemed very real. They were two people who loved each other but were extremely frustrated with one another. Neither one is able to completely see the other's point of view. As they argue, they both talk on top of each other each bringing up past events that are neither completely true or completely false. And finally, as Sabah walks away for what may be the last time, her brother reveals a truth about their family's situation AND at the same time demonstrates his true motivation for being so intolerant of her relationship: an overwhelming sense that, in the end, he has failed his deceased father and his family. With that admission, he and his sister can move on to create a better situation for all concerned. Great writing and acting!
(My favorite quote from the movie? When Sabah's mother sneaks out to visit Sabah's boyfriend at his carpenter shop. Her first words upon entering: "What's with all the crosses?")